It takes two people to make you, and one people to die. That’s how the world is going to end.
She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight.
We had long thought of them as a tableau; Miss Emily a slender figure in white in the background, her father a straddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door.
But I didn’t need to see him because he was there, he would always be there; maybe what Druscilla meant by his dream was not something which he possessed but something which he had bequeathed us which we could never forget, which would even assume the corporeal shape of him whenever any of us, black or white, closed our eyes.
There was something terrible in me sometimes at night I could see it grinning at me I could see it through them grinning at me through their faces it’s gone now and I’m sick.
But then, in the eyes all of them look like they had no age and knew everything in the world, anyhow.
But he was not a coward... not so much to the idea of pouring out human blood and life, but at the idea of waste of wearing out and eating up and shooting away material in any cause whatever.
The wagon wound and jolted between the slow and shifting yet constant walls from beyond and above which the wilderness watched them pass, less than inimical now and never to be inimical again since the buck still and forever leaped, the shaking gun-barrels coming constantly and forever steady at last, crashing, and still out of his instant of immortality the buck sprang, forever immortal.
The somebody you was young with and you growed old in her and she growed old in you, seeing the old coming in and it was one somebody you could hear say it don’t matter and know it was the truth outen the hard world ad all a man’s grief and trials.
The past is never dead. It’s not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity.
I’m fifty; all I know is that people nineteen years old will do anything, and that the only thing which makes the adult world at all safe from them is the fact that they are so preconceived of success that the simple desire and will are the finished accomplishment, that they pay no attention to mere dull mechanical details.
The very fact that he could and did see no paradox in the fact that he took an active part in a partisan war and on the very side whose principles opposed to his own, was proof enough that he was two separate and complete people, one of whom dwelled by serene rules in a world where reality did not exist.
I am not religious, I reckon. But peace is in my heart: I know it is. I have done things but neither better nor worse than them that pretend otherlike, and I know that Old Marster will care for me as for ere a sparrow that falls.
Old man she said, “have you lived so long and forgotten so much that you don’t remember anything you ever knew or felt about love?
A novelist is a failed short story writer, and a short story writer is a failed poet.
He thought that it was loneliness which he was trying to escape and not himself.
Because almost before he had even had time to think that, his uncle said, striding on, glib, familiar, quick, incorrigibly garrulous, incorrigibly discursive, who had always something curiously truthful yet always a little bizarre to say about almost anything that didn’t really concern him:.
It was not for an outrage that they grieved, but for simple grief: the only alternative to which was nothing, and between grief and nothing only the coward takes nothing.
But Uncle Gavin says it don’t take many words to tell the sum of any human experience; that somebody has already done it in eight: He was born, he suffered and he died.
The past isn’t dead. It isn’t even past.” – Wm. Faulkner.
We go on, with a motion so soporific, so dreamlike as to be uninferant of progress, as though time and not space were decreasing between us and it.