Writing a first draft is like trying to build a house in a strong wind.
Any live man is better than any dead man.
When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant – a combined gardener and cook – had seen in at least ten years.
They travelled crosstown now; the cab could rush fast down each block of the continuous alley, pausing only at the intersections where, to the right, canyonniched, the rumor of Grandlieu Street swelled and then faded in repetitive and indistinguishable turmoil, flicking on and past as though the cab ran along the rimless periphery of a ghostly wheel spoked with light and sound.
I give you the mausoleum of all hope and desire; it’s rather excruciating-ly apt that you will use it to gain the reducto absurdum of all human experience.
Eating the business of eating inside of you space too space and time confused Stomach saying noon brain saying eat oclock.
Maybe you have to know anybody awful well to love them but when you have hated somebody for forty-three years you will know them awful well so maybe it’s better then maybe it’s fine then because after forty-three years they cant any longer surprise you or make you either very contented or very mad.
I found out some time back that it’s idleness breeds all our virtues, our most bearable qualities – contemplation, equableness, laziness, letting other people alone, good digestion mental and physical: the wisdom to concentrate on fleshly pleasures – eating and evacuating and fornication and sitting in the sun – than which there is nothing better, nothing to match, nothing else in all this world but to live for the short time you are loaned breath, to be alive and know it.
She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight.
We had long thought of them as a tableau; Miss Emily a slender figure in white in the background, her father a straddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door.
But I didn’t need to see him because he was there, he would always be there; maybe what Druscilla meant by his dream was not something which he possessed but something which he had bequeathed us which we could never forget, which would even assume the corporeal shape of him whenever any of us, black or white, closed our eyes.
There was something terrible in me sometimes at night I could see it grinning at me I could see it through them grinning at me through their faces it’s gone now and I’m sick.
But then, in the eyes all of them look like they had no age and knew everything in the world, anyhow.
But he was not a coward... not so much to the idea of pouring out human blood and life, but at the idea of waste of wearing out and eating up and shooting away material in any cause whatever.
The wagon wound and jolted between the slow and shifting yet constant walls from beyond and above which the wilderness watched them pass, less than inimical now and never to be inimical again since the buck still and forever leaped, the shaking gun-barrels coming constantly and forever steady at last, crashing, and still out of his instant of immortality the buck sprang, forever immortal.
The somebody you was young with and you growed old in her and she growed old in you, seeing the old coming in and it was one somebody you could hear say it don’t matter and know it was the truth outen the hard world ad all a man’s grief and trials.
The past is never dead. It’s not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity.
I’m fifty; all I know is that people nineteen years old will do anything, and that the only thing which makes the adult world at all safe from them is the fact that they are so preconceived of success that the simple desire and will are the finished accomplishment, that they pay no attention to mere dull mechanical details.
The very fact that he could and did see no paradox in the fact that he took an active part in a partisan war and on the very side whose principles opposed to his own, was proof enough that he was two separate and complete people, one of whom dwelled by serene rules in a world where reality did not exist.
I am not religious, I reckon. But peace is in my heart: I know it is. I have done things but neither better nor worse than them that pretend otherlike, and I know that Old Marster will care for me as for ere a sparrow that falls.
Old man she said, “have you lived so long and forgotten so much that you don’t remember anything you ever knew or felt about love?