How did Haydn and Mozart produce such vast quantities of formally perfect art? They worked from a perfect formula. In music, Beethoven was the Great Emancipator.
Eyes blurred, she drove away. Alone, buzzing down the asphalt trail to Kayenta, heart beating, her pistons leaping madly up and down, Bonnie Abbzug relapsed into the sweet luxury of tears. Hard to see the road. She turned on the windshield wipers but that didn’t help much.
Serious critics, serious librarians, serious associate professors of English will if they read this work dislike it intensely; at least I hope so.
Unequipped to hold their own in the ferociously competitive world of White America, in which even the language is foreign to them, the Navajos sink ever deeper into the culture of poverty, exhibiting all of the usual and well-known symptoms: squalor, unemployment or irregular and ill-paid employment, broken families, disease, prostitution, crime, alcoholism, lack of education, too many children, apathy and demoralization, and various forms of mental illness, including evangelical Protestantism.
We are obliged, therefore, to spread the news, painful and bitter though it may be for some to hear, that all living things on earth are kindred.
Something about a river trip always seems to promote the consumption of potable drugs.
If God meant this here bulldozer to live He wouldn’t of filled its tank with diesel fuel.
Alone in the silence, I understand for a moment the dread which many feel in the presence of primeval desert, the unconscious fear which compels them to tame, alter or destroy what they cannot understand, to reduce the wild and prehuman to human dimensions. Anything rather than confront directly the antehuman, that other world which frightens not through danger or hostility but in something far worse – its implacable indifference.
From the point of view of political geography we are standing on one of the frontiers of human culture; for the man inside the rubber sack it was land’s end, the shore of the world.
The mornings therefore... are all the sweeter in the knowledge of what the afternoon is likely to bring.
High above our heads the owl hoots under the lost moon. A pre-dawn wind comes sifting and sighing through the cottonwood trees; the sound of their dry, papery leaves is like the murmur of distant water, or like the whispering of ghosts in an ancient, empty, condemned cathedral.
I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it’s possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description.
For there is a cloud on my horizon. A small dark cloud no bigger than my hand. Its name is Progress.
Noontime here is like a drug. The light is psychedelic, the dry electric air narcotic. To me the desert is stimulating, exciting, exacting.
No, wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread.
Beware the writer who always encloses the word “reality” in quotation marks: He’s trying to slip something over on you.
Pinto beans without sauce or chili or even much salt; a slice of bread; a tincup of coffee. Out of loyalty to life and the immortal spirit of man, he ate.
Any meal is a good meal when you’re on a good river.
Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and brush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock.
I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it’s possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us.
All men at heart, she thought – at bottom should I say? – are really queer. The way ballplayers pat one another on the fannies, running onto the field or coming out of the huddle. The Greek quarterback and the nervous center. Queer as clams. Though of course none would have the decency or honesty or nerve to admit it.