The creator of the new composition in the arts is an outlaw until he is a classic.
The painter does not conceive himself as existing in himself, he conceives himself as a reflection of the objects he has put into his pictures and he lives in the reflections of his pictures, a writer, a serious writer, conceives himself as existing by and in himself, he does not at all live in the reflection of his books, to write he must first of all exist in himself, but for a painter to be able to paint, the painting must first of all be done.
It is an extraordinary thing but it is true, wars are only a means of publicising the things already accomplished.
The souls of people do not interest him, that is to say for him the reality of life is in the head, the face and the body and this is for him so important, so persistent, so complete that it is not at all necessary to think of any other thing and the soul is another thing.
She told her father Mr. Abram Colhard that she did not like it at all being one being living then. He never said anything. She was afraid then, she was one needing charming stories and happy telling of them and not having that thing she was always trembling.
It was a strange winter and nothing and everything happened.
Spaniards and Americans are not like Europeans, they are not like Orientals, they have something in common, that is they do not need religion or mysticism not to believe in reality as all the world knows it, not even when they see it.
Nature and man are opposed in Spain.
No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who also are creating their own time refuse to accept.
What happened to-day, a narrative.
One of the things that I have liked all these years is to be surrounded by people who know no english. It has left me more intensely alone with my eyes and my english. I do not know if it would have been possible to have english be so all in all to me otherwise. And they none of them could read a word I wrote, most of them did not even know that I did write. No, I like living with so very many people and being all alone with english and myself.
The important thing, she insists, is that you must have deep down as the deepest thing in you a sense of equality. Then anybody will do anything for you.
What is a nail. A nail is unison.
Paris was where the twentieth century was.
I take back all the harsh things I said about your writing. It makes a picture and that is always good. But it is alright to learn to play Bach in writing too.
It was an endless variety. And everybody came and no one made any difference. Gertrude Stein sat peacefully in a chair and those who could did the same, the rest stood. There were the friends who sat around the stove and talked and there were the endless strangers who came and went. My memory of it is very vivid.
Sure, she said, as Pablo once remarked, when you make a thing, it is so complicated making it that it is bound to be ugly, but those that do it after you they don’t have to worry about making it and they can make it pretty, and so everybody can like it when the others make it.
I have so much inertia and so little initiative that very possibly if you had not kept me from taking my degree I would have, well, not taken to the practice of medicine, but at any rate to pathological psychology and you don’t know how little I like pathological psychology, and how all medicine bores me.
A seal and matches and a swan and ivy and a suit.
Familiarity does not breed contempt, anything one does every day is important and imposing and anywhere one lives is interesting and beautiful. And that is all as it should be.
She liked hats, she had the true french feeling about a hat, if a hat did not provoke some witticism from a man on the street the hat was not a success.