By the time Talking Heads were starting, my feeling was to throw out everything and start from scratch onstage; strip it down to as close to zero as you can get and then you can make it yours.
The wage for most musicians is a modest amount, and that includes me some of the time.
Well, Marx is having a comeback. I hear him mentioned a lot in terms of the global financial situation and the general sense of injustice out there. A lot of economic experts in America refer to him without actually using the M word, but he’s around.
Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
Yeah, I like to keep myself interested – I’ll kind of throw myself into some area that I don’t completely know or understand, that I’m not adept at, so I’m forced to swim in order to stay afloat. There’s a good feeling that comes from that.
For years we have been taught not to like things. Finally somebody said it was OK to like things. This was a great relief. It was getting hard to go around not liking everything.
The more you know, the more you know you don’t know and the more you know that you don’t know.
Things fall apart, it’s scientific.
The two biggest self-deceptions of all are that life has a ’meaning’and each of us is unique.
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don’t do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
As I define it, rock and roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive – and it still informs other kinds of music.
There are plenty of people who are, I think, completely racist who love hip-hop.
There’s more good music being made now than ever before.
When we started, a lot of bands sounded really different from one another.
I try to devote my afternoons to making music in my home studio, but it’s a lot more fun hanging out with musicians and friends, and trying subtly to influence a band than making your own stuff.
From what I’ve heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.
I don’t think people are going to switch over to bikes because it’s good for them or because it’s politically correct. They’re going to do it because it gets them from A to B faster.
I’m not suggesting people abandon musical instruments and start playing their cars and apartments, but I do think the reign of music as a commodity made only by professionals might be winding down.
I’ve noticed a lot of younger artists have less fear of doing different sorts of things, whether it’s various types of music, or gallery artists moving between video and sculpture and drawing.
Ninety percent of all music is always crap, and when too many people decide they’re going to have guitar bands, then ninety percent of them are going to be crap. It’s just a given law.
Often I don’t know what the song means until it’s finished. Sometimes months later. I don’t think that’s bad. It implies that I don’t know what I’m doing but-I think if you’re able to follow your instincts, then that’s knowing what you’re doing.