You need the art in order to love the life.
For me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo.
The job of the novel is to be true to the confusion, but not so confusing that you turn the reader off.
First, if you love the Kindle and it works for you, it isn’t problematic, and you should ignore all my criticisms and read the way you want to read.
Until a friend or relative has applied a particular proverb to your own life, or until you’ve watched him apply the proverb to his own life, it has no power to sway you.
Sometimes I think with the telephone that if I concentrate enough I could pour myself into it and I’d be turned into a mist and I would rematerialize in the room of the person I’m talking to. Is that too odd for you?
The question any novel is really trying to answer is, Is life worth living?
If you write every day, you’re going to write a lot of things that aren’t terribly good, but you’re going to have given things a chance to have their moments of sprouting.
You almost believe that you will never come to the end of a roll of tape; and when you do, there is a feeling, nearly, though very briefly, of shock and grief.
Rarely do pens go dry in restaurants.
I ordered a Kindle 2 from Amazon. How could I not? There were banner ads for it all over the Web. Whenever I went to the Amazon Web site, I was urged to buy one.
I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I’m not a natural musician.
Some after-the-fact storytelling is inevitable, and, in fact, very good and useful. But then we want always to be able to enrich the stories, or maybe change the stories with a fresh infusion of specificity.
Just as the people who lived through the Second World War thought different things on different days, I think everybody who goes through that period carefully now thinks different things on different days.
I am closer to the pacifist side, in that I think that the British response to German aggression, which was to try to starve the Continent into a state of revolt and to terrorize German civilians with bombing raids, was part of the total catastrophe.
In fact, you could make the argument that a historian like Shlomo Aronson does in passing in one of his books, that the bombing campaign united the German nation behind Hitler, and actually contributed to the sustaining of his power.
I did not know that the planning for biological and chemical warfare was so widespread in England, and even in France before France fell. It was news to me that there had been talk, even in the First World War, of dropping Colorado beetles on German potato crops and that kind of thing.
It’s troubling to see how often Winston Churchill is a proponent of massive programs that are really aimed at civilians – starvation blockades and chemical warfare stockpiles and so on.
History isn’t a seesaw. If you have a really bad regime on one side, the actions on the other side don’t automatically become good. It doesn’t work that way.
Of course, individuals are responsible for individual actions – the pilots who flew over Pearl Harbor and dropped bombs on those ships did a terrible thing as part of an attack on a military base.
I’m a sucker for interiors and carefully, beautifully filmed people sitting in a big room. My appetites are simple.