Like most of the movies I get involved with, I resisted as long as possible, I really try to figure out why I shouldn’t do it and this one had plenty of reasons “not to do it”.
So I have this word for much of what I do in life: ‘plorking.’ I’m not playing and I’m not working, I’m plorking.
Execution is everything.
I’m kind of an idea guy.
I’m very manipulative towards directors. My theory is that everyone on the set is directing the film, we’re all receiving art messages from the universe on how we should do the film.
As far as the lack of hits goes, I think perhaps it’s because I’ve played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
Nowadays it seems more and more like the ‘business’ in ‘show business’ is underlined, and there are campaigns, and it’s all part of getting people in to see the movies.
Nowadays, in the contract that actors sign, you have to agree that you’re going to do a certain amount of publicity-the hard part they don’t pay you for.
You don’t want to vilify your ego.
You can change things, you can make things better.
Memories are not just about the past. They determine our future.
Always maintain a joyful mind. Appreciate the struggles as opportunities to wake up.
You’ve got to take care of yourself on the path, not just when you cross the goal line, because don’t forget, wherever you are, that’s the goal line.
I don’t really consider myself one of those actors who takes his work home with him.
A fool and his money are quickly parted.
I think my love of journalizing my life comes from my mom.
Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.
It can kind of screw up things if you’re trying to overwork something.
For me, growing up, the downside of it was that as a kid you don’t want to stand out. You don’t want to have a famous father let alone get a job because of your famous father, you know? But I’m a product of nepotism. That’s how I got my foot in the door, through my dad.
When I was really young, my mom enrolled me in dance classes.
Everyone I meet is in my sangha. I don’t know if that’s the proper definition, but that’s the way I’m going to hold it in my mind.