I can’t say that I haven’t done some bad acting in my time. I have. Usually that involves what we actors call ‘indicating,’ when you twirl your mustache.
Most sailing ships take what they call trainees, who pay to be part of the crew. The Picton Castle takes people who are absolutely raw recruits. But you can’t just ride along. You’re learning to steer the ship, navigation; you’re pulling lines, keeping a lookout; in the galley you’re cooking.
Oh, I’m nerdy about science fiction and fantasy and graphic novels and reading, and I’m nerdy about board games. My favorite board game is a board game I’m working on right now. It’s a game of Napoleonic era naval warfare, and it’s going to be fun.
For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.
The feeling of being at sea has put me in touch with who I am to a greater degree than if I had been on land all these years. So, in a roundabout way, I imagine it does inform my acting.
Many who wave American flags also practice discrimination on the basis of race. Many who wave American flags practice anti-Semitism. We think that betrays the fundamental ideals of our democracy.
The kind of people that love ‘The Rocketeer’ are the kind of people that love good storytelling and innocence and a better world, so to speak, so they’re almost always nice people to bump into.
If you were to ask my agent, they would confirm this: I’m drawn to locations. What really drew me to ‘The 4400,’ aside from the fact that it was sci-fi, was the fact that it was shot in the city of my dreams: Vancouver.
I’ve done some things that have been quite interesting, but as grateful as I am for having been on ‘Dynasty,’ it was just so cheesy. That’s half the reason it was so much fun for people to watch, but it’s not so fun to have to say those lines.
I would love to see a sequel to ‘The Rocketeer.’ I’d love to see that! I don’t know that I would be in it. I may be a little long in the tooth to play ‘The Rocketeer.’ But I would love to be a part of that in some form or fashion.
Everything about acting is a challenge. I’m self-conscious. You couldn’t do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.
I always know exactly where my stories take place, which gives me something certain so I can use my imagination for the other stuff. I worry though, who wants to keep reading stories about Kalamazoo?
The mood was terrible. You could see it in everybody’s eyes. The body language was just defeated. When they put me in I was hoping I could give us some energy and try to bring us back.
A great deal of my battle, as an actor, is to widdle away the things that make me self-conscious and try to trick myself into not being self-conscious.
I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don’t think the script is any good and I don’t have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I’m going.
I don’t have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.
I grew up 60 minutes way from Richmond, in Charlottesville, Virginia and, as a child, I was obsessed with the Civil War. I used to do re-enactments and all that stuff.
The network wants you to make a thing that’s just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.
I sailed a bit as a child, but it wasn’t until I was around 40, when I was halfway through Patrick O’Brian’s ‘Master and Commander’ novels, that I had the sudden epiphany that I had to go sail on a square-rig ship.
I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don’t play a politician or a fireman or a cowboy – you just play a person.
Aside from what it teaches you, there is simply the indescribable degree of peace that can be achieved on a sailing vessel at sea. I guess a combination of hard work and the seemingly infinite expanse of the sea – the profound solitude – that does it for me.