There is no theoretical study of motherhood. You know, before I became a mother, I did play a mother, but I was like – I was more thinking of my own mother. I was doing my mother.
When you feel so strongly about something and other people feel equally strongly, you have to feel stronger about it in order to succeed.
All teenagers have this desire to somehow run away.
There are a lot of stereotypes to be broken which I think a lot of us are doing. What I do is, as soon as people try to pin me down to one kind of part, I’ll play a very different kind of role, so it explodes that stereotype.
All Asian parents are into your children having a respectable, decent stable job. Acting was unimaginable to my parents.
For the past few years, I was the more visible Asian performer, and I think it gave young girls a kind of role model showing it’s possible to actually reach success doing movies.
Acting for me is not a bad habit like smoking that I must make an effort to quit. I love acting; I love directing.
How I was raised is what I am today.
I don’t find intimate scenes more difficult than other scenes.
It’s the sacrifice I’m not willing to make right now to leave my children because I felt it wasn’t only my choice.
I don’t want to tell people what I make. It’s a lot more than I ever dreamed of as a kid. I never think about it.
Since age 14, I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I’ve been there.
There are many ways you can make money. Certain ways will make you happy, certain other ways will make other people happy. But if you go in because there’s money in there, you’re bound to fail, bound to fail!
I went to the International Ballet competition when I was 15 or 16 and that was the first time I competed. I didn’t get very far but it was the first time that I realized what I needed to do to become a dancer. I realized how hard it was.
Not very many companies go through Hawaii on their way to anywhere. San Francisco Ballet was the only company I remember, and Bolshoi, coming through Hawaii when I was younger.
I grew up in Honolulu. It’s not the ballet cultural mecca by any stretch of the imagination. People are much more familiar with hula than they are with ballet.
I love any opportunity to be able to dance. It’s in my blood. I mean, I need to do it as an artist. I need to always do it.
Since my mom is the President of Ballet Hawaii, I’m always in touch with stuff going on.
I danced in a Lifetime film. We shot in Canada and I got to work with a lot of the dancers who do So You Think You Can Dance, Canada.
I take class. I’m always ballet ready. I’m ready to go – got my tights and my shoes.
The young people, they don’t knock on the door politely and say “May I come in?” They barge in, they take your seat, and you’re obsolete unless you recreate and somehow find grace somewhere else. Another profession may not be like that.