Actually, when I write, there is a feeling of necessity, of something that is stronger than myself that demands that I must write as I write.
I never give in to the temptation to be difficult just for the sake of being difficult. That would be too ridiculous.
Whatever precautions you take so the photograph will look like this or that, there comes a moment when the photograph surprises you. It is the other’s gaze that wins out and decides.
That is what deconstruction is made of: not the mixture but the tension between memory, fidelity, the preservation of something that has been given to us, and, at the same time, heterogeneity, something absolutely new, and a break.
Beyond the touchline there is nothing.
Circumcision, that’s all I’ve ever talked about.
Deconstruction never had meaning or interest, at least in my eyes, than as a radicalization, that is to say, also within the tradition of a certain Marxism, in a certain spirit of Marxism .
I have always had school sickness, as others have seasickness. I cried when it was time to go back to school long after I was old enough to be ashamed of such behavior.
I have always had trouble recognizing myself in the features of the intellectual playing his political role according to the screenplay that you are familiar with and whose heritage deserves to be questioned.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.
It is just that there be law, but law is not justice.
There is no simple answer to such a question.
I know a sentence that is still more terrifying, more terribly ambiguous than “I am alone,” and it is, isolated from any other determining context, the sentence that would say to the other: “I am alone with you.” Meditate on the abyss of such a sentence: I am alone with you, with you I am alone, alone in all the world.
Every text participates in one or several genres, there is no genreless text; there is always a genre and genres, yet such participation never amounts to belonging.
What is certain is that I am not a Marxist, as someone said a long time ago, let us recall, in a witticism reported by Engels. Must we still cite Marx as an authority in order to say “I am not a Marxist”?
The wound can have just one proper name. I recognize that I love you by this: you leave in me a wound I do not want to replace.
Capitalist societies can always heave a sigh of relief and say to themselves: communism is finished since the collapse of the totalitarianisms of the twentieth century and not only is it finished, but it did not take place, it was only a ghost They do no more than disavow the undeniable itself. a ghost never dies, it remains always to come and to come-back.
Infinite responsibility, therefore, no rest allowed for any form of good conscience.
I recognize that I love – you – by this: that you leave in me a wound that I do not want to replace.
Our faith is not assured, because faith can never be, it must never be a certainty.