Part of being creative is not being super-duper focused.
Someday in the distant cyborg future, when our internal and external memories fully merge, we may come to possess infinite knowledge. But that’s not the same thing as wisdom.
I have never been particularly good with languages. Despite a dozen years of Hebrew school and a lifetime of praying in the language, I’m ashamed to admit that I still can’t read an Israeli newspaper. Besides English, the only language I speak with any degree of fluency is Spanish.
Invented languages have often been created in tandem with entire invented universes, and most conlangers come to their craft by way of fantasy and science fiction.
Just as we accumulate memories of facts by integrating them into a network, we accumulate life experiences by integrating them into a web of other chronological memories. The denser the web, the denser the experience of time.
The fact that books today are mostly a string of words makes it easier to forget the text. With the impact of the iPad and the future of the book being up for re-imagination, I wonder whether we’ll rediscover the importance of making texts richer visually.
Since at least the Middle Ages, philosophers and philologists have dreamed of curing natural languages of their flaws by constructing entirely new idioms according to orderly, logical principles.
Monotony collapses time. Novelty unfolds it.
Back when I lived in Brooklyn, I’d sometimes take the Q train all the way out to Coney Island and back, and work on my laptop. There’s something about pushy New Yorkers looking over your shoulder that really makes you produce sentences.
Growing up in the days when you still had to punch buttons to make a telephone call, I could recall the numbers of all my close friends and family. Today, I’m not sure if I know more than four phone numbers by heart. And that’s probably more than most.
One trick, known as the journey method or ‘memory palace,’ is to conjure up a familiar space in the mind’s eye, and then populate it with images of whatever it is you want to remember.
Our lives are structured by our memories of events. Event X happened just before the big Paris vacation. I was doing Y in the first summer after I learned to drive. Z happened the weekend after I landed my first job. We remember events by positioning them in time relative to other events.
Truman Capote famously claimed to have nearly absolute recall of dialogue and used his prodigious memory as an excuse never to take notes or use a tape recorder, but I suspect his memory claims were just a useful cover to invent dialogue whole cloth.
What distinguishes a great mnemonist, I learned, is the ability to create lavish images on the fly, to paint in the mind a scene so unlike any other it cannot be forgotten. And to do it quickly. Many competitive mnemonists argue that their skills are less a feat of memory than of creativity.
To improve, we must watch ourselves fail, and learn from our mistakes.
Our culture is an edifice built of externalized memories.
Life seems to speed up as we get older because life gets less memorable as we get older.
A meaningful relationship between two people cannot sustain itself only in the present tense.
Experts step outside their comfort zone and study themselves failing.
When you want to get good at something, how you spend your time practicing is far more important than the amount of time you spend.
As bad as we are at remembering names and phone numbers and word-for-word instructions from our colleagues, we have really exceptional visual and spatial memories.