Every film is a challenge. I always say that making a movie is like film school – you’re always learning. But unlike most schools, you never get done with it. You never learn everything.
What I love about films is that you can see “King Kong” and you can be affected by it and then you realize that he was just this little guy when he made that fall.
I think there’s still a little bit of that 9 year-old in me and I’m pretty happy.
I am a big Dragon fan. I’ve said it before- And I was fortunate enough to be born a Dragon in the Chinese Horocope...
I’m a Beatles fan, and I remember in the mid-1980s, when CDs first came out, there was a sound of vinyl and the sound of the needle on it that people loved, and suddenly CDs were threatening.
I don’t like putting glasses on and watching 3D. I don’t mind wearing glasses, but it’s the dimness of the light and the fact that you’re filtering the light. Whatever 3D process is being used is a filtration of light, which means it’s blocking some of the light.
I don’t believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don’t think any of that is really an issue with 3D.
When you’re casting a movie and when you’re shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it’s those eyes that mean so much to me.
When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
I find that in the process of making a film you’re constantly discovering things that you never even imagined would work at the beginning.
It’s all about his determination. You never, ever, give up once you start something, once you’re on the trail of something you don’t stop and that’s what you have to go through when you’re making a movie too. Once the train’s rolling, you have to stick with it.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
So many film makers are scared of visual effects – which is no crime.
The director has to win, because you should never force a director to shoot something they don’t believe in.
In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.
I want to make a series of movies that run together, so if any crazy lunatic wants to watch them all in a row, there will be a consistency of tone.
End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.
Saruman believes it is only great power that can hold evil in check, but that is not what I have found. It is the small everyday deeds of ordinary folk that keep the darkness at bay. Small acts of kindness and love. Why Bilbo Baggins? Perhaps because I am afraid, and he gives me courage.
Saruman believes it is only great power that can hold evil in check. But that is not what I have found. I have found that it is the small things, everyday deeds of ordinary folk that keep the darkness at bay. Simple acts of kindness and love.