The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
I wanted people to believe that there could still be this little undiscovered piece of the world that survives still on Skull Island.
People call Kong “a monster.” He’s not. There’s nothing evil about Kong. He’s just another creature who has opened up a little bit of his heart to Ann and it proves to be his undoing.
What is the truth is that every one of my films is a film that I’d love to go see, and I think that’s very important because I always think it’s a mistake to make movies for other people, or to make them for a demographic, or try to second guess an audience.
What I love about films is that you can see “King Kong” and you can be affected by it and then you realize that he was just this little guy when he made that fall.
I think there’s still a little bit of that 9 year-old in me and I’m pretty happy.
I am a big Dragon fan. I’ve said it before- And I was fortunate enough to be born a Dragon in the Chinese Horocope...
I’m a Beatles fan, and I remember in the mid-1980s, when CDs first came out, there was a sound of vinyl and the sound of the needle on it that people loved, and suddenly CDs were threatening.
I don’t like putting glasses on and watching 3D. I don’t mind wearing glasses, but it’s the dimness of the light and the fact that you’re filtering the light. Whatever 3D process is being used is a filtration of light, which means it’s blocking some of the light.
I don’t believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don’t think any of that is really an issue with 3D.
When you’re casting a movie and when you’re shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it’s those eyes that mean so much to me.
When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
I find that in the process of making a film you’re constantly discovering things that you never even imagined would work at the beginning.
It’s all about his determination. You never, ever, give up once you start something, once you’re on the trail of something you don’t stop and that’s what you have to go through when you’re making a movie too. Once the train’s rolling, you have to stick with it.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
So many film makers are scared of visual effects – which is no crime.
The director has to win, because you should never force a director to shoot something they don’t believe in.
In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.
Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.
I want to make a series of movies that run together, so if any crazy lunatic wants to watch them all in a row, there will be a consistency of tone.