Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.
I am interested in the non-dramatic moments in life. I’m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.
I didn’t get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they’d given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
Before she married my father, my mother was a film reviewer for The Akron Beacon Journal – a small newspaper.
Ghost Dog: In the words of the ancients, one should make his decision within the space of seven breaths. It is a matter of being determined and having the spirit to break through to the other side.
A lot of poets too live on the margins of social acceptance, they certainly aren’t in it for the money. William Blake – only his first book was legitimately published.
I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don’t apply are equally valuable because they lead you to towards what does.
I’m like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas.
If you go into a bar in most places in America and even say the word poetry, you’ll probably get beaten up. But poetry is a really strong, beautiful form to me, and a lot of innovation in language comes from poetry.
I’ve always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
Life has no plot, why must films or fiction?
No mistakes can be make during rehearsals, only progress toward what works best.
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we’re really doing is trying to establish their character, and good acting to me is about reacting.
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don’t like looking back. I don’t even like talking about ’em! So I’m really digging back in my memory because I don’t like to sit and look at my films again.
I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It’s always a real collaboration for me.
Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I’m just starting to imagine.
I started working with friends of mine and that, to some degree, continues.
I don’t like American football. I think it’s boring and ridiculous and predictable. But baseball is very beautiful. It’s played on a diamond.
It’s a sad and beautiful world.
I didn’t get my degree at NYU; I got it later, they gave me an honourary one.
A lot of innovation in language comes from poetry.