I often say fame is kind of like a drug or like sugar: when it’s controlling you it doesn’t feel good at all.
I mean, I am fully aware of my influence and my responsibility to society in general representing the gay community. But in the same time, I don’t represent the entire gay community because it’s a vast, vast community, as one can imagine.
I just really allowed my muse to be my guide and I just go with whatever I’m feeling.
He had total love in his eyes when he performed. He was the total androgenous beauty. I would practice Elvis in front of the mirror when I was twelve or thirteen years old.
Life is so impermanent that it’s not about somebody else or things around me, it’s about knowing you are completely alone in this world and being content inside.
I’m proud that I was one of the first ones out, singing loud and proud.
Minimal is the word I’d use to describe how I live and dress, and it’s also how I sing. I’m not a big fan of overemoting.
My voice and the styles and genres I sing all express my appreciation for what I hear.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it’s capable of, what it’s not capable of.
I feel like at 50 I’ve decided to become a rock star, which is, you know, typical of me. I always seem to work backwards.
I sort of believe that my voice was preordained; I’m a Buddhist who believes in reincarnation so I think that my voice is a few lifetimes old.
I’m a singer and as long as I can sing – which, thank God, is something that I still seem to be able to do – I’d like to carry on making records.
I just try to live a really simple, natural life, because obviously, life has an impact on your voice.
I believe in monogamy if that’s what a couple decides upon together, but it all depends on the personal history and culture of the two involved.
I think I fall into a lot of cracks in terms of I’m too something. I’m too this, I’m too that. And my music has never really had a home. I’ve been this floating alternative. I’m too mainstream for alternative. I’m too alternative for mainstream. And I’m just kind of wandering.
I don’t sing anything that hurts my voice.
I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
I don’t believe that human beings are necessarily monogamous.
And I’m not even just talking artists, every single person in this nation has the right to be themselves, live life go team go. I love you Canada, thank you so much.
Spend time reflecting on your emotional and physical existence and how that applies to the voice. You have to apply that wisdom and experience when you sing – it’s what comes through.
Look. Art knows no prejudice, art knows no boundaries, art doesn’t really have judgement in it’s purest form. So just go, just go.