Deserted libraries hold the shades of writers who worked within, and are haunted by their absence.
I can understand that there are those who can think and imagine the world without words, but I think that once you find the words that name your experience, then suddenly that experience becomes grounded, and you can use it and you can try to understand it.
And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had ‘walked over our grave,’ as if a memory had suddenly been rescued from a place deep within us – the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.
It has always been my experience that, whatever groupings I choose for my books, the space in which I plan to lodge them necessarily reshapes my choice and, more important, in no time proves too small for them and forces me to change my arrangement. In a library, no empty shelf remains empty for long. Like Nature, libraries abhor a vacuum, and the problem of space is inherent in the very nature of any collection of books.
Sartre, in his memoirs, confessed to much the same experience. “Like Plato, I passed from knowledge to its subject. I found more reality in the idea than in the thing because it was given to me first and because it was given for a thing. It was in books that I encountered the universe: digested, classified, labelled, mediated, still formidable.
Every book can be, for the right reader, an oracle, responding on occasion even to questions unasked...
You don’t immediately understand something like that, even when it’s explained to you clearly. You don’t understand it, because you don’t know how to understand it. You lack that space in your mind that would let you take it in. You are incapable of believing in the possibility of what they are telling you, because nothing of the sort has ever happened to you before.
Words tell us what we, as a society, believe the world to be.
Books are our best possessions in life, they are our immortality.
My library was to me an utterly private space that both enclosed and mirrored me.
The books on my shelves do not know me until I open them, yet I am certain that they address me – me and every other reader – by name; they await our comments and opinions. I am presumed in Plato as I am presumed in every book, even in those I’ll never read.
We read to understand, or to begin to understand.
A library is not only a place of both order and chaos; it is also the realm of chance. Books, even after they have been given a shelf and a number, retain a mobility of their own.
Each reader is but one chapter in the life of a book, and unless he passes his knowledge on to others, it is as if he condemned the book to be buried alive.
But there is something other than entertainment which one derives from reading in bed: a particular quality of privacy. Reading in bed is a self-centred act, immobile, free from ordinary social conventions, invisible to the world, and one that, because it takes place between the sheets, in the realm of lust and sinful idleness, has something of the thrill of things forbidden.
And it is no true wisdom that you offer your disciples, but only its semblance, for by telling them of many things without teaching them anything, you will make them seem to know much, while for the most part they will know nothing. And as men filled not with wisdom but with the conceit of wisdom, they will be a burden to their fellow-men.
One book calls to another unexpectedly, creating alliances across different cultures and centuries. A half-remembered line is echoed by another for reasons which, in the light of day, remain unclear. If the library in the morning suggests an echo of the severe and reasonably wishful order of the world, the library at night seems to rejoice in the world’s essential, joyful muddle.
Every time we put something into words, we simultaneously pronounce a declaration fo faith in the power of language to re-create and communicate our experience of the world, and our admission of its shortcomings to name this experience fully... All our libraries are the glorious record of that failure.
But who shall be the master? The writer or the reader?
I’ve often felt that my library explained who I was, gave me a shifting self that transformed itself constantly throughout the years.
The discovery of the art of reading is intimate, obscure, secret, almost impossible to explain, akin to falling in love.