I’ll write records until I’m dead. And then maybe even after that!
I didn’t have high self-esteem when I was a teen-ager, as I think most teen-agers don’t.
Meeting the man of my dreams and then meeting his beautiful wife.
I thought the more famous I became, the more friendships I would have, but the opposite was true.
I could get away with not taking care of myself as a bachelorette but as a mom I can’t.
Why are you so petrified of silence? Can you handle this? Did you think about your bills, your ex, your deadlines, or when you think you’re gonna die? Or did you long for the next distraction...
You live, you learn, you love, you learn, you cry, you learn, you lose, you learn, you bleed, you learn, you scream, you learn.
I think everyone’s hungry for the truth.
If I could sell 500 million records every time, it would be great. But I’ve also had the luxury experience of having it when I was a teenager, in a very kind of model version of it.
It’s not just the ‘Grammys’ that I’ve pulled out of. I also pulled out of the English awards as well. The reason that I wanted to pull out was because I believe very much that the music industry as a whole is mainly concerned with material success.
My brother says that I was writing songs about fate while he was off playing soccer. Now I tell him he’s 33 and being a professional while I’m playing soccer with my friends. Ha!
Over the last couple of years, I’ve really worked toward balancing my life out more, having a little bit more time with friends, family and my boyfriend. There was a period of time when they were way down the list. It was all about music and touring and if everything fell by the wayside, so be it.
What I try to keep in mind is that there are going to be a lot of articles that are going to be misrepresentative of what I’m about as a person and as a writer.
What influenced me was Tori Amos, who was unapologetic about expressing anger through music, and Sinead O’Connor. Those two in particular were really moving for me, and very inspiring, before I wrote ‘Jagged Little Pill.’
When I was producing on my own, I was doing it in order to – in a very patriarchal entertainment industry, let alone planet – very much hell-bent on trying to prove to myself, if nothing else, that I could do it as a woman.
When I’m off the road, my husband and I recharge our batteries. It’s a day of deep rest and connection with the spiritual, and that can be anything – going for a walk in nature, being in silence, burning incense.
Freedom lies at the heart of my willingness to lose everything.
Being a sensitive empath is a beautiful thing as an artist, and it fosters a deep burning curiosity about why we do the things we do.
The more I know the less tortured I am.
I was extremely moved by the plight of Tsunami victims and I was inspired to try to make a difference.
Let’s be outspoken, let’s be ridiculous, let’s solve the world’s problems.