Hunched down in the small bright room Nel waited. Waited for the oldest cry. A scream not for others, not in sympathy for a burnt child, or a dead father, but a deeply personal cry for one’s own pain. A loud, strident: ‘Why me?’ She waited.
Saying more might push them both to a place they couldn’t get back from. He would keep the rest where it belonged: in that tobacco tin buried in his chest where a red heart used to be. Its lid rusted shut. He would not pry it loose now in front of this sweet sturdy woman, for if she got a whiff of the contents it would shame him. And it would hurt her to know that there was no red heart bright as Mister’s comb beating in him.
The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love.
Two months surrounded by country women who loved mean had changed her. The women handled sickness as though it were an affront, an illegal, invading braggart who needed whipping. They didn’t waste their time or the patient’s with sympathy and they met the tears of the suffering with resigned contempt.
My nature is a quiet one, anyway. As a child I was considered respectful; as a young woman I was called discreet. Later on I was thought to have the wisdom maturity brings.
All that time, all that time, I thought I was missing Jude.” And the loss pressed down on her chest and came up into her throat. “We was girls together,” she said as though explaining something. “O Lord, Sula,” she cried, “girl, girl, girlgirlgirl.” It was a fine cry – loud and long – but it had no bottom and it had no top, just circles and circles of sorrow.
Suspended between the nastiness of life and the meanness of the dead, she couldn’t get interested in leaving life or living it.
She was broken. Not broken up but broken down, down into her separate parts.
The girl’s face looks greedy, haughty and very lazy. The cream-at-the-top-of-the-milkpail face of someone who will never work for anything; someone who picks up things lying on other people’s dressers and is not embarrassed when found out. It is the face of a sneak who glides over to your sink to rinse the fork you have laid by her plate. An inward face – whatever it sees is its own self. You are there, it says, because I am looking at you.
She opened the door, walked in and locked it tight behind her.
How loose the silk. How fine and loose and free.
Winter in Ohio was especially rough if you had an appetite for color.
I was happy, free in a way I had never been, ever. It was the oddest sensation. Not ecstasy, not satisfaction, not a surfeit of pleasure or accomplishment. It was a purer delight, a rogue anticipation with certainty.
His sister was gutted, infertile, but not beaten. She could know the truth, accept it, and keep on quilting. Frank tried to sort out what else was troubling him and what to do about it.
Finally Milkman could take no more; he had to rest. At the next tree he sank down to the ground and put his head back on its bark. Let them laugh if they wanted to; he would not move until his heart left from under his chin and went back down into his chest where it belonged.
Narrative fiction provides a controlled wilderness, an opportunity to be and to become the Other. The stranger. With sympathy, clarity, and the risk of self-examination.
I can say that my narrative project is as difficult today as it was then.
Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glory bound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
And they might never forget.
I didn’t fall in love, I rose in it. I saw you and made up my mind. My mind. And I made up my mind to follow you too.
No, really. Just quiet. Nothing louder than waves lapping or ice melting in crystal glasses.