I don’t know yet what I am capable of doing, but, by God, I have genius – I know it too well to blush behind it.
He was twenty eight years old now, and wise enough to know that there are sometimes reasons of which the reason knows nothing, and that the fictional pattern of one’s life, formed and set by years of living, is not to be discarded quite as easily as one may throw away a battered hat or worn-out shoe.
Was it in woman’s nature to be content with all that a man could give her, and not forever want what was not his to give?
But it was many years before he could understand that that sensitive and feminine person, bound to him by the secret and terrible bonds of his own dishonor, had in him nothing perverse, nothing unnatural, nothing degenerate. He was as much like a woman as a man. That was all. There is no place among the Boy Scouts for the androgyne – it must go to Parnassus.
I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then?
After that, we had no.
He saw now that you can’t go home again – not ever. There was no road back.
And she did not weep for herself, but for him: the hour after his birth she had looked in his dark eyes and had seen something that would brood there eternally, she knew, unfathomable wells of remote and intangible loneliness: she knew that in her dark and sorrowful womb a stranger had come to life, fed by the lost communications of eternity, his own ghost, haunter of his own house, lonely to himself and to the world. O lost.
But we are the sum of all the moments of our lives – all that is ours is in them: we cannot escape or conceal it. If the writer has used the clay of life to make his book, he has only used what all men must, what none can keep from using. Fiction is not fact, but fiction is fact selected and understood, fiction is fact arranged and charged with purpose.
And he knew that he would never come again, and that lost magic would not come again. Lost now was all of it – the street, the heat, King’s Highway, and Tom the Piper’s son, all mixed in with the vast and drowsy murmur of the Fair, and with the sense of absence in the afternoon, and the house that waited, and the child that dreamed.
Outside, on Park Avenue, the people had begun to move along the sidewalks once more, the streets of the city began to fill and thicken. Upon the table by her bed the little clock ticked eagerly it’s pulse of time as if it hurried toward some imagined joy, and a clock struck slowly in the house with a measured, solemn chime. The morning sun steeped each object in her room with causal light, and in her heard she said, “It is now”.
They had a moment of cohesion, a moment of tragic affection and union, which drew them together like small jets of flame against all the senseless nihilism of life.
His enemy was time. Or perhaps it was his friend. One never knows for sure.
Finally, only thirty or forty million years before, our earliest ancestors had crawled out of the primeval slime; and then, no doubt, finding the change unpleasant, crawled back in again.
The great shapes of the hills, embrowned and glowing with the molten hues of autumn, are all about him: the towering summits, wild and lonely, full of joy and strangeness and their haunting premonitions of oncoming winter soar above him, the gulches, gorges, gaps, and wild ravines, fall sheer and suddenly away with a dizzy terrifying steepness, and all the time the great train toils slowly down from the mountain summits with the sinuous turnings of an enormous snake.
All serious work in fiction is autobiographical.
Through Chance, we are each a ghost to all the others, and our only reality; through Chance, the huge hinge of the world, and a grain of dust; the stone that starts an avalanche, the pebble whose concentric circles widen across the seas.
The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.
Why is it that we are always strangers in this world, and never come to know one another, and are full of fear and shame and hate and falseness, when what we want is love? Why is it? Why? Why? Why?
Then, then, will fury leave us, he will cease from those red channels of our life he has so often run, another sort of worm will work at that great vine, whereat he fed. Then, then, indeed, he must give over, fold his camp, retreat; there is no place for madness in a dead man’s brain, no place for hunger in a dead man’s flesh, and in a dead man’s heart there is a place for no desire. At.
It was the beginning of that dark time of blood, and crime, and terror which the years of prohibition brought and which was to leave its hideous mutilation not only upon the soul and conscience of the nation, but upon the lives of millions of people – particularly the young everywhere. At.