Art always has something of the unconscious about it.
Emptiness constantly falls within our reach. It is always with us, and conditions all our knowledge, all our deeds and is our life itself. It is only when we attempt to pick it up and hold it forth as something before our eyes that it eludes us, frustrates all our efforts and vanishes like vapor.
No amount of wordy explanations will ever lead us into the nature of our own selves. The more you explain, the further it runs away from you. It is like trying to get hold of your own shadow. You run after it and it runs with you at the identical rate of speed.
Zen professes itself to be the spirit of Buddhism, but in fact it is the spirit of all religions and philosophies. When Zen is thoroughly understood, absolute peace of mind is attained, and a man lives as he ought to live.
In Zen there must be satori; there must be a general mental upheaval which destroys the old accumulations of intellection and lays down the foundation for a new life; there must be the awakening of a new sense which will review the old things from a hitherto undreamed-of angle of observation.
But nothing awakens religious consciousness like suffering.
Perhaps there is after all nothing mysterious in Zen. Everything is open to your full view. If you eat your food and keep yourself cleanly dressed and work on the farm to raise your rice or vegetables, you are doing all that is required of you on this earth, and the infinite is realized in you.
They justly compare Zen to lightning. The rapidity, however, does not constitute Zen; its naturalness, its freedom from artificialities, its being expressive of life itself, its originality – these are the essential characteristics of Zen.
In Christianity we seem to be too conscious of God, though we say that in him we live and move and have our being. Zen wants to have this last trace of God-consciousness, if possible, obliterated. That is why Zen masters advise us not to linger where the Buddha is, and to pass quickly away where he is not.
Zen purposes to discipline the mind itself, to make it its own master, through an insight into its proper nature. This getting into the real nature of one’s own mind or soul is the fundamental object of Zen Buddhism. Zen, therefore, is more than meditation and Dhyana in its ordinary sense. The discipline of Zen consists in opening the mental eye in order to look into the very reason of existence.
Zen has from the beginning made clear and insisted upon the main thesis, which is to see into the work of creation; the creator may be found busy moulding his universe, or he may be absent from his workshop, but Zen goes on with its own work. It is not dependent upon the support of a creator; when it grasps the reason for living a life, it is satisfied.
When we know the reason, there is satori and we have Zen. Whereas with the God of mysticism there is the grasping of a definite object; when you have God, what is no-God is excluded. This is self-limiting. Zen wants absolute freedom, even from God.
When Nangaku was approaching Yeno, the Sixth Patriarch, and was questioned, “What is it that thus walks toward me?” he did not know what to answer. For eight long years he pondered the question, when one day it dawned upon him, and he exclaimed, “Even to say it is something does not hit the mark”. This is the same as saying, “I do not know”.
Is satori something that is not at all capable of intellectual analysis? Yes, it is an experience which no amount of explanation or argument can make communicable to others unless the latter themselves had it previously. If satori is amenable to analysis in the sense that by so doing it becomes perfectly clear to another who has never had it, that satori will be no satori. For a satori turned into a concept ceases to be itself; and there will no more be a Zen experience.
In the study of Zen, the power of an all-illuminating insight must go hand in hand with a deep sense of humility and meekness of heart.
Some say that as Zen is admittedly a form of mysticism it cannot claim to be unique in the history of religion. Perhaps so; but Zen is a mysticism of its own order. It is mystical in the sense that the sun shines, that the flower blooms, that I hear at this moment somebody beating a drum in the street. If these are mystical facts, Zen is brim-full of them.
Christians as well as Buddhists can practise Zen just as big fish and small fish are both contentedly living in the same ocean. Zen is the ocean, Zen is the air, Zen is the mountain, Zen is thunder and lightning, the spring flower, summer heat, and winter snow; nay, more than that, Zen is the man.
If we really want to get to the bottom of life, we must abandon our cherished syllogisms, we must acquire a new way of observation whereby we can escape the tyranny of logic and the one-sidedness of our everyday phraseology.
As far as content goes, there is none in either satori or Zen that can be described or presented or demonstrated for your intellectual appreciation. For Zen has no business with ideas, and satori is a sort of inner perception – not the perception, indeed, of a single individual object but the perception of Reality itself, so to speak. The ultimate destination of satori is towards the Self; it has no other end but to be back within oneself.
We have never lost Paradise, but human consciousness tells us we have lost it and that we have to regain it. But in fact, Paradise has never been lost, Paradise is never to be therefore regained. We are in Eden, just as we are now.
When mind discriminates, there is manifoldness of things; when it does not it looks into the true state of things.