To improve at chess you should in the first instance study the endgame.
Chess is a very logical game and it is the man who can reason most logically and profoundly in it that ought to win.
Ninety percent of the book variations have no great value, because either they contain mistakes or they are based on fallacious assumptions; just forget about the openings and spend all that time on the endings.
The game might be divided into three parts, the opening, the middle-game and the end-game. There is one thing you must strive for, to be equally efficient in the three parts.
Chess books should be used as we use glasses: to assist the sight, although some players make use of them as if they thought they conferred sight.
During the course of many years I have observed that a great number of doctors, lawyers, and important businessmen make a habit of visiting a chess club during the late afternoon or evening to relax and find relief from the preoccupations of their work.
In chess, as played by a good player, logic and imagination must go hand in hand, compensating each other.
The great World Champions Morphy, Steinitz, and Lasker were past masters in the art of Pawn play; they had no superiors in their handling of endgames. The present World Champion has not the strength of the other three as an endgame player, and is therefore inferior to them.
An hour’s history of two minds is well told in a game of chess.
I have not given any drawn or lost games, because I thought them inadequate to the purpose of the book.
Alekhine evidently possesses the most remarkable chess memory that has ever existed. It is said that he remembers by heart all the games played by the leading masters during the last 15-20 years.
The best way to learn endings, as well as openings, is from the games of the masters.
To my way of thinking, Troitzky has no peer among endgame compsers; no one else has composed so many and such varied endings of the first rank.
Although the Knight is generally considered to be on a par with the Bishop in strength, the latter piece is somehat stronger in the majority of cases in which they are opposed to each other.
Endings of one rook and pawns are about the most common sort of endings arising on the chess board. Yet though they do occur so often, few have mastered them thoroughly. They are often of a very difficult nature, and sometimes while apparently very simple they are in reality extremely intricate.
Morphy gained most of his wins by playing directly and simply, and it is simple and logical method that constitutes the true brilliance of his play, if it is considered from the viewpoint of the great masters.
Excellent! I will still be in time for the ballet!
As one by one I mowed them down, my superiority soon became apparent.
The weaker the player the more terrible the Knight is to him, but as a player increases in strength the value of the Bishop becomes more evident to him, and of course there is, or should be, a corresponding decease in his estimation of the value of the Knight as compared to the bishop.
A passed pawn increase in strength as the number of pieces on the board diminishes.
It was Steinitz who was the first to establish the basic principles of general chess strategy. He was a pioneer and one of the most profound researchers into the thruth of the game, which was hidden from his contemporaries.