If I never see you again, I will always carry you, inside, outside, on my fingertips, and at brain edges, and in centers, centers of what I am, of what remains.
Life’s as kind as you let it be.
We are like roses that have never bothered to bloom when we should have bloomed and it is as if the sun has become disgusted with waiting.
Without literature, life is hell.
There is a place in the heart that will never be filled; a space. And even during the best moments, and the greatest times, we will know it.
I want to let her know though that all the nights sleeping beside her even the useless arguments were things ever splendid and the hard words I ever feared to say can now be said: I love you.
But my whole life has been a matter of fighting for one simple hour to do what I want to do. There was always something getting in the way of my getting to myself.
I feel strangely normal.
Most people are not ready for death, theirs or anybody elses.
There’s nothing to mourn about death any more than there is to mourn about the growing of a flower. What is terrible is not death but the lives people live or don’t live up until their death.
I can never drive my car over a bridge without thinking of suicide. I can never look at a lake or an ocean without thinking of suicide.
It was better for me when I could imagine greatness in others, even if it wasn’t always there.
I am this fiery snail crawling home.
Some people have written that my writing has helped them go on. It has helped me too. The writing, the roses, the 9 cats.
I don’t carry notebooks and I don’t consciously store ideas. I try not to think that I am a writer and I am pretty good at doing that. I don’t like writers, but then I don’t like insurance salesmen either.
Some of my poems indicate that I am writing while living alone after a split with a woman, and I’ve had many splits with women. I need solitude more often when I’m not writing than when I am.
I guess for me Hemingway is a lot like it is for others: he goes down well when we are young.
Hemingway and Saroyan had the line, the magic of it. The problem was that Hemingway didn’t know how to laugh and Saroyan was filled with sugar.
I seldom know what I’m going to write when I sit down. There isn’t much agony and sweat of the human spirit involved in doing it. The writing’s easy, it’s the living that is sometimes difficult.
A dry period for me means perhaps going two or three nights without writing. I probably have dry periods but I’m not aware of them and I go on writing, only the writing probably isn’t much good.
I write right off the typer. I call it my “machinegun.” I hit it hard, usually late at night while drinking wine and listening to classical music on the radio and smoking mangalore ganesh beedies.