I am, as they say, the classic starving artist.
When you feel terrible because someone has gotten something you want, you force yourself to remember how very much you have been given. You remember that there is plenty for all of us. You remember that someone else’s success has absolutely no bearing on your own.
We’ve got to live them out in our bodies too. Yours. Mine. Droopy and ugly and fat and thin and marred and wretched as they are. We have to be as fearless about our bellies as we are with our hearts.
We went on and on and on, from snap to clap and back again, raging and raging, until finally there was nothing to do but raise our arms in surrender and admit that the rain was gone.
The only thing I ever hope to do as a writer is to make people feel less alone, to make them feel more human, to make them feel what I have felt so many times as a reader: stories have the power to save us by illuminating the most profoundly beautiful and terrible things about our existence.
Small things such as this have saved me: How much I love my mother – even after all these years. How powerfully I carry her within me. My grief is tremendous but my love is bigger.
You are not grieving your son’s death because his death was ugly and unfair. You’re grieving it because you loved him truly. The beauty in that is greater than the bitterness of his death.
You have the power to withstand this sorrow. We all do, though we all claim not to.
More will be revealed. Your son hasn’t yet taught you everything he has to teach you. He taught you how to love like you’ve never loved before. He taught you how to suffer like you’ve never suffered before. Perhaps the next thing he has to teach.
As I stood there gazing at Elk Lake, it occurred to me for the first time that growing up poor had come in handy. I probably wouldn’t have been fearless enough to go on such a trip with so little money if I hadn’t grown up without it. I’d always thought of my family’s economic standing in terms of what I didn’t get: camp and lessons and travel and college tuition and the inexplicable ease that comes when you’ve got access to a credit card that someone else is paying off.
There are so many tiny revolutions in a life, a million ways we have to circle around ourselves to grow and change and be okay. And perhaps the body is our final frontier. It’s the one place we can’t leave. We’re there till it goes. Most women and some men spend their lives trying to alter it, hide it, prettify it, make it what it isn’t, or conceal it for what it is. But what if we didn’t do that?
But now I could see the line between this and that – between a childhood in which I saw my mother and stepfather forging ahead over and over again with two pennies in their pocket and my own general sense that I could do it too. Before I left, I hadn’t calculated how much my journey would reasonably be expected to cost and saved up that amount plus enough to be my cushion against unexpected expenses. If I’d done that, I wouldn’t have been here, eighty-some days out.
Many people you believe to be rich are not rich. Many people you think have it easy worked hard for what they got. Many people who seem to be gliding right along have suffered and are suffering.
It’s what most of us have to give a few times over the course of our lives: to love with a mindfully clear sense of purpose, even when it feels outrageous to do so. Even when you’d rather put on your steel-toed boots and scream. Give it. You won’t regret it. It will come out in the reckoning.
I know I’m being a bit glib about it, but only because if I look at it stone cold serious it smashes my heart into smithereens.
I got you,” my friend the writer and teacher Jen Pastiloff says so often she has it tattooed on her arm. That’s what this vespers thing felt like to me, Spent. Like someone had me. Like for the tiniest glimmer of a moment I was held by a force more powerful than the force I could muster on my own.
No is golden. No is the kind of power the good witch wields.
You have a bundle on your head, sweet pea. And though that bundle may be impossible for you to see right now, it’s entirely visible to me. You aren’t torn. You’re only just afraid.
We are here to build the house. It’s our work, our job, the most important gig of all: to make a place that belongs to us, a structure composed of our own moral code. Not the code that only echoes imposed cultural values, but the one that tells us on a visceral level what to do. You know what’s right for you and what’s wrong for you.
You know that woman you mentioned who recently got the book deal – the one you describe as among your best friends? She knows you’re not truly happy for her. She knows it even if she’s convinced herself that she doesn’t know it; even if she’s tried to explain away whatever weird vibe you emitted when you pretended to be happy for her about her good news. She knows because you can’t fake love and generosity of spirit. It’s either there or it isn’t.
I wasn’t with my mom when she died. No one was. She died alone in a hospital room, and for so many years it felt like three-quarters of my insides were frozen solid because of that.