And suddenly I felt panic. I’d made a mistake, like when I’d played chess with Ray and knew a second too late I’d made the wrong move. I had asked a question I couldn’t afford to know the answer to. It was the thing I didn’t want to know. The rock that never should be turned over. I knew what was under there. I didn’t need to see it, the hideous eyelets albino creature that lived underneath.

— Janet Fitch

Janet Fitch Quotes

Her violence. Claire, what did you know about violence? My mother’s strength? Well she wasn’t strong enough to avoid being the background of my art. Just the background. Her words just my canvas.

— Janet Fitch

I was the center of my own universe, it was the stars that were moving, rearranging themselves around me, and I liked the way he looked at me.

— Janet Fitch

So much for those gleanings from novels, from paintings, as if love were a matter of posing in picturesque dishabille. No. You went into it as a tiger encountering another tiger. You went into it like a person jumping off a bridge.

— Janet Fitch

It wasn’t like America, where we scraped the earth clean, thinking we could start again every time. We hadn’t learned yet, there was not such thing as an empty canvas.

— Janet Fitch

The Fool, the Zero card, dressed in motley, dazzled face to the sky, foot about to come off the cliff. Pierrot. It wasn’t Michael at all. It was her. You fool... And which one was he? The Magician? She’d thought he was. She’d thought he had it all lined up. The world spinning on his little finger. Or else the Hermit with his lantern, looking for the true world. But no, here he was. The twelfth card. The Hanged Man. Lashed upside down to his cross tree. Unable to go backward or forward.

— Janet Fitch

I wanted to freeze this moment forever, the chimes, the slight splash of water, the chink of dogs’ leashes, laughter from the pool, the skritch of my mother’s dip-pen, the smell of the tree, the stillness. I wished I could shut it in a locket to wear around my neck. I.

— Janet Fitch

They congratulated themselves and went back out to their sodas and Chex mix, leaving me in front of the mirror, a toddler’s fussed-over Barbie abandoned in the sandbox. I blinked back my tears and forced myself to look in the mirror. Looking.

— Janet Fitch

But she was sure old Henry’d showed up with the other granola-heads, lit incense and rang finger cymbals and blew some pot, no doubt, in John’s memory. Om rama rama. Did John Lennon really want all that? Was that what he was about? From what she’d heard, the guy’d had some wit and brains – did he really want to be the dead guy of the hour, like a melting centerpiece?

— Janet Fitch

Shot by a desperate fan. On the news, fans were always desperate. Got his signature and then shot him down. The saddest thing about it was that she wasn’t more shocked. To Josie, it just seemed part of the way things were heading, Ronald Reagan, greedheads running everything. Killing John Lennon seemed like just mopping up. Thirty thousand people missing in El Salvador, those nuns, and everybody in America was worried about who shot JR.

— Janet Fitch

It was true, Jeremy took advantage. And she let him. It was his film, and she really didn’t care. It was just a body, like a rented suit. Michael had tried to make her feel differently about herself, that it wasn’t just for use by others, it was hers, she belonged to herself, she had to occupy herself.

— Janet Fitch

She kept thinking about it as Jeremy talked about his Concept for the movie, the locations, some house off Sunset Plaza he pronounced “total Sixties, it’ll blow your mind.” She imagined walking into the house and blowing her head off.

— Janet Fitch

And it occurred to Josie how tortured Michael must have been by the way his mother’s gift just flowed out of her, so clear and certain and unobstructed, like a spring. How painful it must have been for him to watch this. Michael had that genius, maybe even more than Meredith, but couldn’t let it out like that. Just pour it out. And no matter how good he was, even if he was the one picked out of a whole show, he could never feel it. He could do everything except find a way to satisfaction.

— Janet Fitch

But they weren’t small children, they were women, they were admiring someone they didn’t know the first thing about. Look at the hag Truth for once, college girl.

— Janet Fitch

You always said I knew nothing, but that was the place to begin. I would never claim to know what women in prison dreamed about, or the rights of beauty, or what the night’s magic held. If I thought for a second I did, I’d never have the chance to find out, to see it whole, to watch it emerge and reveal itself. I don’t have to put my face on every cloud, be the protagonist of every random event.

— Janet Fitch

So now I was supposed to feel pity for you and those other women who’d lost their own children during a holdup, a murder, a fiesta of greed? Save your poet’s sympathy and find some better believer. Just because a poet said something didn’t mean it was true, only that it sounded good.

— Janet Fitch

She closed the magazine and stared at the girl on the cover, a girl who had never been pregnant, never had a social worker or a filling. Yvonne stroked the water-wavy cover. I could tell, she wanted to know what that girl knew, feel how she felt, to be so beautiful, wanted, confident. Like people touching the statue of a saint.

— Janet Fitch

Weren’t chains ashamed of their prisoners? But.

— Janet Fitch

I wanted to tell her not to entertain despair like this. Despair wasn’t a guest, you didn’t play its favorite music, find it a comfortable chair. Despair was the enemy. It frightened me for Claire to bare her needs so openly. If a person needed something badly, it was my experience that it would surely be taken away. I didn’t need to put mirrors on the roof to know that.

— Janet Fitch

It scared me when she said perfect. Perfect was always too much to ask.

— Janet Fitch

Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith’s, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.

— Janet Fitch
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