Our rest is formed by our waking life and our waking life is formed by our sorrows.
Some things you cannot wish away or think away. They become part of you when you remember them.
Love ambushed you, it lay in wait, dormant for days or years. It was the red thread, the peach stone, the kiss, the forgiveness. It came after you, it escaped you, it was invisible, it was everything.
They were written on cheap blue notebooks bought by poor women. I’m interested in folk tales in the way that medicine and magic in women’s stories are all kind of combined.
I wrote to find beauty and purpose, to know that love is possible and lasting and real, to see day lilies and swimming pools, loyalty and devotion, even though my eyes were closed, and all that surrounded me was a darkened room. I wrote because that was who I was at the core, and if I was too damaged to walk around the block, I was lucky all the same. Once I got to my desk, once I started writing, I still believed anything was possible.
Other people’s judgments were meaningless unless you allowed them to mean something.
Know that the only remedy for love is to love more.
Whoever knows you when you are young can look inside you and see the person you once were, and maybe still are at certain times.
I’m fated to lose everyone I ever love,” April said. “I already know that.” “Of course you are,” Jet responded in her calm, measured tone. “That’s what it means to be alive.
Life is a mystery, and it should be so, for the sorrow that accompanies being human and the choices one will have to make are a burden, too heavy for most to know before their time comes.
Writing itself was a magical act in which imagination altered reality and gave form to power.
I just do the best I can to face what life brings. That’s the secret, you know. That’s the way you change your fate.
In the darkest hour of winter, when the starlings had all flown away, Gretel Samuelson fell in love. It happened the way things are never supposed to happen in real life, like a sledgehammer, like a bolt from out of the blue. One minute she was a seventeen year-old senior in high school waiting for a Sicilian pizza to go; the next one she was someone whose whole world had exploded, leaving her adrift in the Milky Way, so far from earth she was walking on stars.
Anything whole can be broken,” Isabelle told her. “And anything broken can be put back together again. That is the meaning of Abracadabra. I create what I speak.
You rescue something and you’re responsible for it. But maybe that’s what love is. Maybe it’s like a hit-and-run accident; it smashes you before you can think. You do it no matter the cost and you keep on running.
My father had told me that no matter how comfortable we might feel, we must live like fish, unattached to any land. Wherever there was water, we would survive. Some fish could stay in the mud for months, even years, and when at last there was a high flooding tide, they would swim away, a dark flash, remembered only by their own kind. So perhaps the stories they told of our people were true: no net could hold us.
This is what happens when you repudiate who you are. Once you do that, life works against you, and your fate is no longer your own.
If you are loved, you never lose the person who loved you. You carry them with you all your life.
As I turned the pages, I felt as if there were bees on my fingertips, for I had never felt so alive as when reading.
They say that dogs may dream, and when Topsy was old, his feet would move in his sleep. With his eyes closed he would often make a noise that sounded quite human, as if greeting someone in his dreams. At first it seemed that he believed Sara would return, but as the years went by I understood that his loyalty asked for no reward, and that love comes in unexpected forms. His wish was small, as hers had been – merely to be beside her. As for me, I already knew I would never get what I wanted.