Muse. Mu-se. It’s a great thing, for someone to feel that they can draw inspiration from you. And I don’t think it’s necessarily a man ‘taking’ from a woman. It can go both ways, both can stimulate, excite.
Fashion embraces the weirdos. They’re into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy – it brings something different.
I feel like we were the last generation, and there’s this big divide before and after the 1990s. I feel sorry for the kids today. It’s all too much.
I’m not the greediest person. Of course, I work in a business where that’s all relative and there’s a lot of money to be made. I think I’m satisfied making as much as I have and I don’t feel particularly driven to have more.
It’s not what you spend but how you wear it that counts. The key is often to dress up inexpensive basics with accessories. Something like a beautiful designer bag or belt can make everything else look richer and more luxurious.
I bought a pair of Birkenstocks today – let’s be real. I wanted a chunky sandal that was functional. That should tell you where I am at as far as fashion.
I’ve been an outsider all my life – I don’t care.
I am a Scorpio, and playing the seductress appeals to me. There are a lot of women throughout film history, like Marlene Dietrich or Mae West – those are the women I was always attracted to. The bad girls.
I’ve been texting for a year with a couple of guys without ever going on a date with them.
I know who I am by now. And I am my own brand.
My first job was in sixth grade, sweeping the clay tennis courts at the yacht club near my house, which I was not a member of. Always had to pay my own rent. But I don’t really have any concept of how money works. I don’t know how much things cost. Like a BMW. Or a quart of milk. It’s embarrassing.
New York is so diverse. When you’re on the street or in the subway, you’re experiencing more of the diversity of New York.
I am most proud of my integrity and least proud of my cynicism.
I always feel I could be like Toni Collette, going between big studio things and indie films. That would be feasible.
It’s like you always have to put on a happy face, be the phony baloney, and I’m so not that. I never was that; I’ll never be that. That is part of the business that I don’t like. Maybe that will always keep me an outsider, I don’t know. But that’s fine.