He kept on digging but the grave did not get any deeper. “The dead are poor,” he said in the voice of the stranger. You can’t be any poorer than dead.
I came from a family where the only emotion respectable to show is irritation.
She didn’t like to admit it about her own kin, least about her own brother, but there he was – good for absolutely nothing.
How would he know if time was going backwards or forwards or if he was going with it?
The old woman’s three mountains were black against the dark blue sky and were visited off and on by various planets and by the moon after it had left the chickens.
The thing for you to do is write something with a delayed reaction like those capsules that take an hour to melt in your stomach. In this way, it could be performed on Monday and not make them vomit until Wednesday, by which time they would not be sure who was to blame. This is the principle I operate under and I find it works very well.
There may never be anything new to say, but there is always a new way to say it.
Early in 1955 Flannery completed work on her second book, a collection of these stories which she entitled A Good Man Is Hard to Find. In January we sent it to press, having set publication for June. I remember our amusement at Evelyn Waugh’s reaction to the advance proofs we sent him: “If these stories are in fact the work of a young lady, they are indeed remarkable.
It is when the individual’s faith is weak, not strong, that he will be afraid of an honest fictional representation of life; and when there is a tendency to compartmentalize the spiritual and make it resident in a certain type of life only, the supernatural is apt gradually to be lost.
I don’t want to be doomed to mediocrity in my feeling for Christ. I want to feel. I want to love. Take me, dear Lord, and set me in the direction I am to go.
She had never given much thought to the devil for she felt that religion was essentially for those people who didn’t have the brains to avoid evil without it.
The sorry religious novel comes about when the writer supposes that because of his belief, he is somehow dispensed from the obligation to penetrate concrete reality. He will think that the eyes of the Church or of the Bible or of his particular theology have already done the seeing for him, and that his business is to rearrange this essential vision into satisfying patterns, getting himself as little dirty in the process as possible.
He saw that for the rest of his days, frail, racked, but enduring, he would live in the face of a purifying terror. A feeble cry, a last impossible protest escaped him. But the Holy Ghost, emblazoned in ice instead of fire, continued, implacable, to descend.
I watch the stock-car races sometimes but you don’t see anything but cars. I know about Fireball Roberts though and I watched an interview with Tiny Lunn. He is a huge dead-serious innocent-faced boy who must have made it big, he had just won the one in Jacksonville when I saw him but he never smiled once.
In the last twenty years the colleges have been emphasizing creative writing to such an extent that you almost feel that any idiot with a nickel’s worth of talent can emerge from a writing class able to write a competent story. In fact, so many people can now write competent stories that the short story as a medium is in danger of dying of competence. We want competence, but competence by itself is deadly. What is needed is the vision to go with it, and you do not get this from a writing class.
Mrs. Pritchard could not stand an anticlimax. She required the taste of blood from time to time to keep her equilibrium.
Who’s there?” the voice from inside said and there was a quality about it now that seemed final. The knob rattled and the voice said peremptorily, “Who’s there, I ast you?” Parker bent down and put his mouth near the stuffed keyhole. “Obadiah,” he whispered and all at once he felt the light pouring through him, turning his spider web soul into a perfect arabesque of colors, a garden of trees and birds and beasts.
I like to walk in the woods and see what Mother Nature is wearing.
The writer has no rights at all except those he forges for himself inside his own work. We have become so flooded with sorry fiction based on unearned liberties, or on the notion that fiction must represent the typical, that in the public mind the deeper kinds of realism are less and less understandable.
The trouble with you is,” she said, “you sit in front of that window all the time where there’s nothing to look out at. You need some inspiration and an out-let. If you would let me pull your chair around to look at the TV, you would quit thinking about morbid stuff, death and hell and judgement. My Lord.