Does one ever play Coltrane for the uninitiated without subconsciously hoping for the worst?
When a man showed up you didn’t want to look at his face and he didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it may be, or you could relax and lose yourself.
I discovered at an early age that I was – shall we be kind and say different? It’s a better, more general word than the other one... I got sick... It was the feeling that the great, deadly pointing forefinger of society was pointing at me – and the great voice of millions chanting, “Shame. Shame. Shame.” It’s society’s way of dealing with someone different.
You must go through a winter to understand.
Reality is greater than the sum of its parts, also a damn sight holier.
Sometimes I looked at them and sometimes they looked at me, but rarely did we look at one another. It was too naked and painful. More was revealed in a human face than a human being can bear, face-to-face.
There is generally one person in every situation you must never underestimate the power of.
Whoever comes in the door is usually disappointing, but there is always a chance otherwise. And when a key hits the lock, all the heads come up like there’s strings on them.
I can’t help it. I was born a miscarriage. I had so many insults I died. I was born dead. I can’t help it. I’m tired. I’m give out trying. You got chances. I had so many insults I was born dead. You got it easy. I was born dead an’ life was hard. I’m tired. I’m tired out talking and standing up. I been dead fifty-five years.” The.
It’s like each face was a sign like one of those “I’m Blind” signs the dago accordion players in Portland hung around their necks, only these signs say “I’m tired” or “I’m scared” or “I’m dying of a bum liver” or “I’m all bound up with machinery and people pushing me alla time.” I can read all the signs, it don’t make any difference how little the print gets.
Thursday,” McMurphy says again. “Looooo,” yells that guy upstairs. “That’s.
We are lunatics from the hospital up the highway, psycho-ceramics, the cracked pots of mankind.
Out along the dim six-o’clock street, I saw leafless trees standing, striking the sidewalk there like wooden lightning, concrete split apart where they hit, all in a fenced-in ring. An iron line of pickets stuck out of the ground along the front of a tangleweed yard, and on back was a big frame house with a porch, leaning a rickety shoulder hard into the wind so’s not to be sent tumbling away a couple of blocks like an empty cardboard grocery box.
The more he tries to stop it, the faster it goes. When he lets his hands and face move like they want to and doesn’t try to hold them back, they flow and gesture in a way that’s real pretty to watch, but when he worries about them and tries to hold back he becomes a wild, jerky puppet doing a high-strung dance. Everything is moving faster and faster, and his voice is speeding up to match.
All right. Then this is the whole shebang, boys, right here underfoot. Give up and admit it.
He shakes the hands of Wheelers and Walkers and Vegetables, shakes hands that he has to pick up out of laps like picking up dead birds, mechanical birds, wonders of tiny bones and wires that have run down and fallen. Shakes hands with everybody he comes to except Big George the water freak, who grins and shies back from that unsanitary hand, so McMurphy just salutes him and says to his own right hand as he walks away, “Hand, how do you suppose that old fellow knew all the evil you been into?
The walls are white as the white suits, polished clean as a refrigerator door, and the black face and hands seem to float against it like a ghost.
Maybe he couldn’t understand why we weren’t able to laugh yet, but he knew you can’t really be strong until you can see a funny side to things.
But like always when I try to place my thoughts in the past and hide there, the fear close at hand seeps in through the memory.
Chang! With light and sound and numbers round and round in a whirlwind, and maybe you win with what you end up with and maybe you lose and have to play again. Pay the man for another spin, son, pay the man.