When I travel, I have almost all of my possessions with me. That’s how little I own.
My fans are who I am. You give meaning to my life. You will never know the connection I feel to you.
Knowing that I inspired SAM SMITH is one of the most powerful experiences I’ve had as an artist. I was Sam. I still am Sam.
I think it is very important to join the fight against AIDS and HIV and think it is wonderful that Belvedere and Annabel’s are supporting, and had this event this evening.
I’m definitely a Polaroid camera girl. For me, what I’m really excited about is bringing back the artistry and the nature of Polaroid.
Writing a record is like dating a few men at once. You take them to the same restaurants to see if they measure up, and at some point you decide who you like best.
I’m not interested in people positioning me next to other artists.
I’ve had grand pianos that are more expensive than, like, a year’s worth of rent.
In a sense I portray myself in a very androgynous way, and I love androgyny.
My work as an artist is completely separate from my work as a philanthropist.
Sometimes I think that there’s a fine line between impressionistic and messy.
Speaking purely from a musical standpoint, I think I am a great performer.
The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.
What I’ve learned is that you really don’t need to be a celebrity or have money or have the paparazzi following you around to be famous.
I’m drawn to bad romances.
I was so ashamed of who I was.
Only value the opinion of those that you respect. And anyone that you don’t respect, pay no mind to their opinion about you or anything else.
It’s sort of like my past is an unfinished painting, and as the artist of that painting, I must fill in all the ugly holes and make it beautiful again.
Dirty pony, I can’t wait to hose you down.
I never intended for the Monster Ball to be a religious experience, it just became one.