And I’ll dance with you in Vienna, I’ll be wearing a river’s disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I’ll bury my soul in a scrapbook, with the photographs there and the moss. And I’ll yield to the flood of your beauty, my cheap violin and my cross.
Dance me to your beauty with a burning violin Dance me through the panic ’til I’m gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love.
The older I get, the surer I am that I’m not running the show.
Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President’s Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.
In Montreal spring is like an autopsy. Everyone wants to see the inside of the frozen mammoth. Girls rip off their sleeves and the flesh is sweet and white, like wood under green bark. From the streets a sexual manifesto rises like an inflating tire, “the winter has not killed us again!
He hated the men floating in sleep in the big stone houses. Because their lives were ordered and their rooms tidy. Because they got up every morning and did their public work. Because they weren’t going to dynamite their factories and have naked parties in the fire.
Your faith was strong, but you needed proof...
My abandoned narcotics have abandoned me.
Pigskin crackling on my thumb, nummy nummy I hate pain.
BREAVMAN KNOWS a girl named Shell whose ears were pierced so she could wear the long filigree earrings. The punctures festered and now she has a tiny scar in each earlobe. He discovered them behind her hair.