I’ve met the Dalai Lama briefly, but I would probably say my grandfather was the wisest person I ever met. He was my mother’s father, an Indian, a family doctor, and very unlike me in that he was deeply religious.
What I’ve always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
I only met Margaret Thatcher twice. The thing that I thought about meeting her was how extraordinarily intelligent she was. You really had to be on your game; otherwise, she’d make mincemeat of you.
I have had many more close women friends than men, and I’ve always assumed that comes from the fact that in my family there was such a disproportionate female element.
I don’t read my books, I write them. Once I’ve finished the many years it usually takes me to write them, I can’t bear to read them, because I’ve spent too long with them already. I’m not advertising them very well, am I?
Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
I am certainly not a good Muslim. But I am able now to say that I am Muslim; in fact it is a source of happiness to say that I am now inside, and a part of the community whose values have always been closest to my heart.
I think it’s a very important function of art to challenge accepted reality, especially when that reality is created by powerful interest groups.
I do have a lot of time for people in my life, and friendship is a very important subject for me. I think I’m unusual among the writers I know in that respect.
I have always thought, the secret purpose of the book tour is to make the writer hate the book he’s written. And, as a result, drive him to write another book.
Every time you finish a book, you have a terrible feeling that there’s just never going to be another one. But fortunately, so far, the next one has always shown up.
A figure of speech is a shifty thing; it can be twisted or it can be straight.
I saw Quentin Tarantino’s ‘Django Unchained,’ and you could say a lot of things against it, but it was incredible fun. I don’t like blood and gore, and I am very squeamish about violence, but Tarantino’s violence is actually funny.
I’m not a very big fan of ‘Slumdog Millionaire.’ I think it’s visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
It’s always been colossally important to me that my books should be well received in India. It’s where I come from.
I would argue that religion comes from a desire to get to the questions of, ‘Where do we come from?’ and ‘How shall we live?’ And I would say I don’t need religion to answer those questions.
I was very happy in Bombay. I was good at school. There was no reason to change anything. I suppose it must have been some spirit of adventure, of wanting to see the world.
I for one don’t need a supreme “sacred” arbiter in order to be a moral being.
Fundamentalists of all faiths are the fundamental evil of our time.