Sometimes the future changes quickly and completely, and we’re left with only the choice of what to do next. We can choose to be afraid of it, to stand there trembling not moving, assuming the worst that can happen, or we step forward into the unknown and assume it will be brilliant.
And on a Canadian set, everybody is equal. You get paid the same. You live together in barracks. You have a communal kitchen. You buy and cook your own food.
People ask me what I’m writing. They think I’m Sandra Tsing Loh. Or they ask about stand-up. ‘No, that’s Margaret Cho.’ I really think there is this kind of glomming, that they think we are somehow all the same person.