Your apocalypse was fab.
The rain is sharp today, as you shock me sane.
Dance with the sufis, celebrate your top ten in the charts of pain.
I’ve been looking for a savior in these dirty streets, looking for a savior beneath these dirty sheets.
When they say take from my body, I think I’ll take from mine instead. Getting off, getting off while they’re all down stairs.
I wanna smash the faces of those beautiful boys, those Christian boys.
Father Lucifer, you never looked so sane.
This was a time frame when dance music and clubs were having a real impact on culture, and it had an impact on me.
I’ve got tonnes of aboriginal and Native American art, but I’d like even more.
I’ve been known to throw watermelons, backstage, at people who are giving me news I don’t want to hear. But I never aim for the head.
I’m very at home working with mythology.
I’m not very social when I’m off the promo trail, because I step into wife and mother mode. It’s very reclusive.
I’m a hard worker. I get my hands dirty.
I would love to compose something for dance before I kick the bucket, and I’m not closed-minded about the dance, or the dance company.
I was very close to my mother as the youngest of three. She was my playmate.
I was two and a half when I first climbed up and sat at a piano.
I wanted to do something creatively, having been a beached whale for many months and nursing my daughter.
I want to be an integrated woman.
I think doing variations on a classical theme is a dangerous thing to do.
I like involved projects. I’m driven by the idea of characters and the song-cycle form is similar to a musical.