The birds sing in chorus; deep tunnels run between the stalks of flowers; the house is whitened; the sleeper stretches; gradually all is astir. Light floods the room and drives shadow beyond shadow to where they hang in folds inscrutable. What does the central shadow hold? Something? Nothing? I do not know.
Damn it, Madam, you are loveliness incarnation.
Now what have I to read? Some Homer: one Greek play: some Plato: Zimmern: Sheppard, as textbook: Bentley’s Life: if done thoroughly, this will be enough. But which Greek play? and how much Homer, and what Plato? Then there’s the Anthology. All to end upon the Odyssey because of the Elizabethans. And I must read a little Ibsen to compare with Euripides – Racine with Sophocles – perhaps Marlowe with Aeschylus. Sounds very learned; but really might amuse me; and if it doesn’t, no need to go on.
That’s so like Aunt Lucy and Aunt Katie,” said Rachel at last. “They always make out that she was very sad and very good.” “Then why, for goodness’ sake, did they do nothing but criticize her when she was alive?” said Helen.
He was amused and gratified to find that he had the power to annoy his oblivious, supercilious hostess, if he could not impress her; though he would have preferred to impress her. He.
The man looks the world full in the face, as if it were made for his uses and fashioned to his liking. The woman takes a sidelong glance at it, full of subtlety, even of suspicion.
In other words, now that she had rid herself of falsehood, that young woman had only to be herself. Ah, but what is “herself”? I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill.
Thus, when one takes a sentence of Mr B into the mind it falls plump to the ground – dead; but when one takes a sentence of Coleridge into the mind, it explodes and gives birth to all kinds of other ideas, and that is the only sort of writing of which one can say that it has the secret of perpetual life.
Life is a dream. ‘Tis waking that kills us.
For there’s nothing in the world so bad for some women as marriage, he thought; and politics...
But this question of love... this falling in love with women. Take Sally Seton; her relation in the old days with Sally Seton. Had that not, after all, been love?
All I could do was to offer you an opinion upon one minor point – a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved.
Life, with its varieties, its irreticenses, had been laid under a pavement of monuments and wreaths and drugged into a stiff yet staring corpse by discipline.
As for the beauty of women, it is like the light on the sea, never constant to a single wave. They all have it; they all lose it. Now she is dull and thick as bacon; now transparent as a hanging glass.
They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves.
She stood there: she listened. She heard the names of the stars.
The salt gale blew in at Betty Flanders’s bedroom window, and the widow lady, raising herself slightly on her elbow, sighed like one who realizes, but would fain ward off a little longer – oh, a little longer! – the oppression of eternity.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote.
I always have such need to merely talk to you. Even when I have nothing to talk about – with you I just seem to go right ahead and sort of invent it. I invent it for you. Because I never seem to run out of tenderness for you and because I need to feel you near. Excuse the bad writing and excuse the emotional overflow. What I mean to say, perhaps, is that, in a way, I am never empty of you; not for a moment, an instant, a single second.
Two things alone remained to him in which he now put any trust: dogs and nature.