Once a person gave his talent to the world, the world put a stamp upon it. The talent was not a personal possession anymore. It was something to be traded, bought, and sold. It fetched a high price, or a low one. It was kicked in the common market. Always, forever after, the possessor of the talent must keep a wary eye upon the purchaser. Therefore, if you were sensitive, if you were proud, you turned your back upon the market. You made excuses.

— Daphne du Maurier

Daphne du Maurier Quotes

No, Robert did not understand. Handsome, gay, debonair, perfectly self-possessed, he had yet not grasped the fact that his young sister, with her smattering of education and her provincial dress, belonged to a world that he had long left behind him, a world which, despite its apparent backwardness and rustic simplicity, had greater depth than his.

— Daphne du Maurier

When I was halfway down the passage I had a curious, inexplicable feeling that I must go back and look in my room again. I went without reason, and stood a moment looking at the gaping wardrobe and the empty bed, and the tray of tea upon the table. I stared at them, impressing them forever on my mind, wondering why they had the power to touch me, to sadden me, as though they were children that did not want me to go away.

— Daphne du Maurier

If it must be so, let’s not weep nor complain If I have failed, or you, or life turned sullen. We have had these things, they do not come again, But the flag still flies and the city has not fallen.” Humbert Wolfe.

— Daphne du Maurier

He had been dedicated to science since his first birthday, and Louis-Mathurin would hear of no other career for his eldest son. Kicky was seventeen on the sixth of March, and did not look much like a prospective scientist.

— Daphne du Maurier

The only timid one of the trio was the nameless heroine in Rebecca, and she found strength of purpose when she discovered that her husband Maxim truly loved her, and had never cared for his first wife Rebecca.

— Daphne du Maurier

But Part Four would not be easy. The last member of the four generations, Jane Slade’s great-granddaughter Jennifer, was going to be rather tiresome. I was not sure what to do with her. Could it be that I had lost interest in the whole story?

— Daphne du Maurier

A mock trial was set in motion, and the mayor Montlibert forced to interrogate the prisoners. It was obvious, even to someone like myself who knew nothing of the law, that none of the men had done wrong. No arms had been found in the house. The men had no pretensions to being aristocrats. Monsieur Villette, who had presided over the proceedings in the church, spoke up in their defense.

— Daphne du Maurier

How right she was, I thought. What brings all of us through the years, from the first cry at birth to the sinking pulse at the end, and whom have we left behind us on the way, what ghosts, what crouching figures by what window?

— Daphne du Maurier

When the water drains from the marshes, and little by little the yellow sands appear, rippling and hard and firm, it seems to my foolish fancy, as I lie here, that I too go seaward with the tide, and all my old hidden dreams that I thought buried for all time are bare and naked to the day, just as the shells and the stones are on the sands.

— Daphne du Maurier

I was possessed of a sudden with supernatural powers.

— Daphne du Maurier

The thing had been a tragedy, but tragedies become less poignant as the months pass.

— Daphne du Maurier

And the ashes blew towards us with the salt wind from the sea.

— Daphne du Maurier

It seemed to Jennifer that she had sat in the cellar from the beginning of things, that never, since she could remember, had there been anything in her life but this. One day, so she was told, it would be ended. One day there would be no war.

— Daphne du Maurier

I was reminded of my first journey as a child in France, traveling by sleeper overnight, throwing open the carriage window in the morning to see foreign fields fly by, villages, towns, figures laboring the land humped like the plowman now, and thinking, with childish wonder, “Are they alive like me, or just pretending?

— Daphne du Maurier

Some inner sense warned them that in their ignorance dwelt security, a happiness that was never wild, never triumphant, but peaceful and silent.

— Daphne du Maurier

Why, no doubt there is a risk, just as every day in every man’s life he risks breaking his neck when he steps outside his door.

— Daphne du Maurier

As an eavesdropper in time my role was passive, without commitment or responsibility. I could move about in their world unwatched, knowing that whatever happened I could do nothing to prevent it – comedy, tragedy, or farce – whereas in my twentieth century existence I must take my share in shaping my own future and that of my family.

— Daphne du Maurier

I tried Magnus two or three times later, but there was never a reply, and I spent a restless evening unable to settle to newspapers, books, records, or TV. Finally, fed up with myself and the whole problem, to which there seemed no solution, I went early to bed, and slept, to my astonishment when I awoke next morning, amazingly well.

— Daphne du Maurier

The house was inhabited not by the dead but by the living, and I was the restless wanderer, I was the ghost.

— Daphne du Maurier

The world we carry inside us produces answers, sometimes. A way of escape. A flight from reality. You didn’t want to live either in London or New York. The fourteenth century made an exciting, if someone gruesome, antidote to both. The trouble is that daydreams, like hallucinogenic drugs, become addictive; the more we indulge, the deeper we plunge, and then, as I said before, we end in the loony-bin.

— Daphne du Maurier
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