Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective.
I have yet to see a fine photograph which is not a good document.
I’m not a nice girl. I’m a photographer.
You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
The camera is no more an instrument of preservation, the image is.
Pictures are wasted unless the motive power which impelled you to action is strong and stirring.
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
I haven’t seen too many images that have impressed me!
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.