Always, your work is the same: You have to tell a story, you have to make a character. It doesn’t matter if there are thousands of dollars, millions behind it, or if there is nothing.
I always choose my projects for the script or what the director want to tell with that story. And if I like the story.
If you have what you want to say inside, and if you are crying for something that is true inside, it doesn’t matter. The camera always sees it.
I remember saying to my mom, 3 years old, every day, ‘I can fly!’ Living on the ninth floor, it was dangerous.
Surgery is a complicated thing to talk about, but I guess it could also be a dangerous thing to play with if you’re not very secure about what you’re doing.
It’s difficult to plan this kind of career. You just need to wait and be picky and try not to commit to just one thing. I’ll have to see what’s next, see what happens, and see what the future brings.
No one told me about boys. I had to figure it out myself. The first thing I learned was that sometimes they grow slower than women mentally.
I’m not 20 anymore, and I feel it.
I’m 36 years old, and I’m growing up. Little by little.
I think I am incredibly generous with how much I give to my projects, but that’s my generosity with the job.
I never go to a gym unless I have to for a role, a contract. I try to take care of myself as a human being, not because I have to be in front of the camera.
I hope to grow up and see myself accepting myself and accepting time going by and everything falls.
I hope to be 70 and sitting at the table with journalists, talking about my films.
I can hypnotize rabbits.