I’ve always worked. I have always been too responsible. But I don’t know how to live any other way. I think that this discipline was also demanded of me by my work.
The goal I seek is to have people refine their style through my clothing without having them become victims of fashion.
I’ve tried to find a new elegance. It’s not easy because people want to be shocked. They want explosive fashion. But explosions don’t last, they disappear immediately and leave nothing but ashes.
I design for real people. I think of our customers all the time. There is no virtue whatsoever in creating clothing or accessories that are not practical.
Never in my wildest dreams did I entertain the idea that I would become a fashion designer.
I sensed that women wanted to be a little different. My fluidity gave them a way of interpreting their bodies in a more personal, individual way.
Anyhow, even though I have this home theater, I love going out to the movies. Movies are meant to be experienced together.
There are always protests, whether you do something good or bad. Even if you do something beneficial, people say you do it because it’s advertising.
The confident artist is a fool.
For me, couture is the kingdom of imagination, creativity and experimentation, and this is how I approach it. I do, however, remain pragmatic and realistic.
I find that fashion recently has been a little too hasty. Often times, it’s put together quickly to catch the attention of the media, and I didn’t want to do that.
Working with Cate Blanchett, on and off the screen, has always been a highlight for me. She embodies the perfect combination of consummate actor and world-class fashion icon.
I didn’t have a happy childhood.
There are so many things to take into account – your ambition, your ego, the press, the consumers. You can never be sure that you’ll be on top of the pile again.
Why do I put myself in a position to be cast aside or not considered as I would like to? Because I am a creative mind, because I still aspire to be one.
In the beginning, I thought that women needed protection, on a style level, to have the right impact to let them realize their desire for success. Now, many years later, women no longer need a masculine uniform. Women have changed.
China approaches fashion with strong enthusiasm. And I believe that this enthusiasm can be translated into something interesting, economically speaking. Not only for my brand, but also for other brands.
My success was also owed to career women who maybe had big legs or ample thighs, who felt well-protected by my fluid clothing that hid their flaws.
It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric – without a practical or visual reality.
I know that people who have been closely involved with my work for many years are terrified of having to answer to someone else, someone who is not me, and that it won’t be me to help them in their problems. This is my real problem.