Theatre has no national identity. It is something for the world, whether it is Irish, English, or French.
If you asked me for my New Year Resolution, it would be to find out who I am.
I love the theatre and theatre people.
In my younger years my dedication may have expressed itself egotistically.
I was rather a fat little boy.
Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.
I am basically a religious man.
I have tried to explore the little talent I have for writing.
They say 6 million people see you when you act in a film; it may only be 600 in a play. But the effect on the 600 may be truer and more lasting.
I have been on my own all my life except during those touring days.
One’s performance is often heightened by the brilliance and generosity of other actors.
The actor has a constant problem of personal identity.
Acting is the most brotherly and sisterly profession in the world.
To maintain one’s individuality, integrity, and true personality in the theatre is a big task.
The relationship with a live audience seems to me to count for more.