I like poking my nose into other people’s lives.
That’s one of the things I hope that the book can do, is to restore some dignity to Joe Cinque.
People demand a lot of the justice system and they demand things that it can’t deliver.
It’s a terrific privilege to be able to see into somebody else’s life.
I’m very disturbed by violence against women when it is violence.
But there are some wounds that can never be healed.
At the time it seemed like a natural development of my interest in what was going on around me in society.
I think writers are very anxious.
When, in the street, I see a mother walking with her grown-up daughter, I can hardly bear to witness the mother’s pride, the softening of her face, her incredulous joy at being granted her daughter’s company; and the iron discipline she imposes on herself, to muffle and conceal this joy.
It was early summer. And everything, as it always does, began to heave and change.
Invisible magpies warbled in the plane trees. Softly, gently, never running out of melodic ideas, they perched among the leaves and spun out their endless tales.
I remembered only the good and loveable things about him, not the wretchedness he caused me, and the dope, and the resentments and silence and the half-crazy outbursts. I remembered his smell and the colour of his eyes and his head thrown back to laugh; these things were a second away, in time, but the others I dredged up dutifully, knowing that I must, for the sake of truth and sanity, try to keep a balance.
Sometimes it seems to me that, in the end, the only thing people have got going for them is imagination. At times of great darkness, everything around us becomes symbolic, poetic, archetypal. Perhaps this is what dreaming, and art, are for.
I realised I had a stream of thoughts about him which ran for the most part below conscious level. I noticed jets spurting up from this stream: comparisons with other relationships I knew of which had weathered massive changes and shifts of balance; small crumbs of hope he would find he missed the familiarity of my company, or that his gestures of comfort meant more than a gentle goodbye. I grieved for these hopes, and their hopelessness.
I saw the bumpy shape of my skull, I saw myself shorn and revealed. I wandered in a dream around the city, glimpsing in shop windows a strange creature with my face.
Ted shows me his school composition, a rewrite of Snow White from the point of view of the dwarves: ‘So you think we liked Snow White? You are completely WRONG.
Do we identify with a criminal in that we too secretly long to be judged? Popularly, being ‘judgemental’ is ill thought of and resented. But what if we want our deeds, our natures, our very souls to be summed up and evaluated? A line to be drawn under our acts to date? A punishment declared, amends made, the slate wiped clean? A born-again Christian, trying to explain his new sense of freedom, once said to me, “All my debts are paid”.
You’d die of shame at the thought of showing anyone what you’d written. Somebody somewhere says that ‘the urge to preserve is the basis of all art’. Unaware of this thought, you keep a diary. You keep it not only because it gratifies your urge to sling words around, everyday with impunity, but because without it, you will lose your life, ts detail will leak away into the sand and be gone forever.
Mrs Thatcher has told one of her interviewers that she had nothing to say to her mother after she reached the age of fifteen. Such a sad, blunt confession it seems, and yet not a few of us could make it. The world moves on so fast, and we lose all chance of being the women our mothers were; we lose all understanding of what shaped them. Hilary Mantel.
I wished to trust, and so I trusted. When events did not please me, my dreams reworked them.