So here is where I am so far, and this is all I know: the world is a big sardine can, and some of us are too agreeable for words. Most of us, really.
All plots are cliche.
According to Hannah, real life just happens, whereas stories make sense. When you put real life in print, she says, you show it up for the pointless mess it really is.
Well, she had her own sorry self, her own story, the snowflake of her life, but even as a child she had been unimpressed by the breathless adult observation that no two of these were exactly alike. In the first place, she had thought, how does anybody know that? And in the second place, so what?
Nothing was truly unbearable if you had something to read.
Arithmetic is the death of story.
That’s the hard work of writing. The imagining.
Once, before leaving on vacation, I copied an entire page from an Alice Munro story and left it in my typewriter, hoping a burglar might come upon it and mistake her words for my own. That an intruder would spend his valuable time reading, that he might be impressed by the description of a crooked face, was something I did not question, as I believed, and still do, that stories save you.
Only in art were there cliches; never in nature. There were no ordinary human beings. Everybody was born with surprise inside.