If it all just happened overnight, you would never learn to believe in what you cannot see...
I think for a woman, the hardest thing about growing old is becoming invisible. There’s something very front and center about being young.
I love being with my children. They’re fascinating people.
If I had my life to live over again, I’d run barefoot, relax a bit more, I’d talk more to children, and I’d learn how they laugh.
I know how it feels to go into a studio to start a record, and eight weeks later it’s finished. I know how an intense schedule feels.
It’s human nature to be curious about people, and to be more curious about young people than old people. We want to cheer something on at the same time we want to tear it down. That’s just so normal.
I refuse to believe that we’re only here to live and die.
You do your best, you do all this stuff, but the only thing that counts is faith expressing itself through love.
Giving never happens by accident. It’s always intentional.
I have spent probably years of time waiting in studio lounges – waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That’s just the nature of life.
In the past, when I’d recorded during a break in a tour, it was so easy to sing, because I felt strong. Also, like so many new mothers, I wasn’t getting a lot of sleep, and sleeping is such a huge part of being able to sing.
But now it’s kind of a given that a 15-year-old would have a record deal and sell a quarter of a million records. No one’s expecting her to answer any deep theological questions. And I’ll tell you, I was asked some deep theological questions from the git-go.
To me, it’s all about the song. Songs are what make me excited. You hear a great song and you want to record it or get a great idea and you want to write it.
To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it’s big and at times it’s small, but that’s beyond my control.
You live in a dangerous place when you sacrifice integrity for security.
Love’s for fools wise enough to take a chance.
You have to treat people gently because we’re all in a process. What might seem like a good idea to somebody at 21 is probably not going to seem like a good idea at 50, but you don’t know that until you get there.
I just think people should find the music that helps them through the day and enjoy that. I’ve never felt like, if somebody does or doesn’t like what I’m doing, it’s a morality issue.
Rich Mullins was the uneasy conscience of Christian music. He didn’t live like a star. He’d taken a vow of poverty so that what he earned could be used to help others.
I feel a part of the congregation. I’ve never had to do special music. The kids sing in the choir. It’s just normal. We’re treated like everybody else.