For me, drawing is everything, because it informs everything. It even informs my poetry. It’s the way I begin everything.
Western art is built on the biographical passion of one artist for another.
I’ve never had an easy relationship with critics. I hold a lot of homicide in my heart. If this was another time, I’d be packing a piece.
More important than having a romance with the object that I’m drawing, is to have a romance with the mark that I am making.
I do not think that obsession is funny or that not being able to stop one’s intensity is funny.
My attitude towards drawing is not necessarily about drawing. It’s about making the best kind of image I can make, it’s about talking as clearly as I can.
I have never been able to carry out any work coolly. On the contrary it is done, so to speak, with my own blood.
Autobiography is the most fascinating thing you can do because you get to touch the human condition. And in the end, what else is there? To me, it’s the ultimate affirmation of life, and a miracle of this transient, extremely fragile organism. To celebrate that, I think, is a noble thing to do.
I have come to terms with a lot of things, because, when all’s said and done, there’s really very little one can do about a lot of things. You just accept them. The point is you just have to keep on working and you just have to keep on living.
The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there.