We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog.
Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know. Once.
It all comes of being so attractive, as the old lady said when she was struck by lightning.
Cheese, like oil, makes too much of itself. It wants the whole boat to itself. It goes through the hamper, and gives a cheesy flavour to everything else there.
Love is like the measles; we all have to go through it. Also like the measles, we take it only once. One never need be afraid of catching it a second time.
Harris’s fixed ideas that he can sing a comic song; the fixed idea, on the contrary, among those of Harris’s friends who have heard him try, is that he can’t and never will be able to, and that he ought not to be allowed to try.
Such is life; and we are but as grass that is cut down, and put into the oven and baked.
But we are so blind to our own shortcomings, so wide awake to those of others. Everything that happens to us is always the other person’s fault.
Memory is a rare ghost-raiser. Like a haunted house, its walls are ever echoing to unseen feet. Through the broken casements we watch the flitting shadows of the dead, and the saddest shadows of them all are the shadows of our own dead selves.
Noi eravamo come i cavalieri dell’antica leggenda, che veleggiavano lungo un mistico lago verso l’ignoto regno del crepuscolo, verso la sconfinata terra del tramonto. Ma non arrivammo nella terra del tramonto, andammo a finire contro il barchino da pesca sul quale stavano pescando i tre vecchi.
Be not the first by whom the new is tried, Nor yet the last to lay the old aside,” is a safe rule for those who would always retain the good opinion of that all-powerful, but somewhat unintelligent, incubus, “the average person,” but the pioneer, the guide, is necessary. That is, if the world is to move forward.
In my youth, the question chiefly important to me was – What sort of man shall I decide to be? At nineteen one asks oneself this question; at thirty-nine we say, “I wish Fate hadn’t made me this sort of man.
It is a most extraordinary thing, but I never read a patent medicine advertisement without being impelled to the conclusion that I am suffering from the particular disease therein dealt with in its most virulent form. The diagnosis seems in every case to correspond exactly with all the sensations that I have ever felt.
It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
There is nothing more remarkable in human sociology than our attitude towards the institution of marriage.
Let us have done with vain regrets and longings for the days that never will be ours again. Our work lies in front, not behind us; and “Forward!” is our motto.
They took him to Wagner festivals and Burne-Jones’s private views. They read him all the minor poets. They booked seats for him at all Ibsen’s plays. They introduced him into all the most soulful circles of artistic society. His days were one long feast of other people’s enjoyments.
Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God.
There was a time, long ago, when I used to clamour for the hard work: now I like to give the youngsters a chance.
The more we peeled, the more peel there seemed to be left on; by the time we had got all the peel off and all the eyes out, there was no potato left – at least none worth speaking of.