Upon that second reading, much of the book fell away in my mind, revealing a story that was a metaphor for American capitalism in the tale of a great king with three sons: the oldest was given his passion and aggressiveness, the second his sweet nature and childlike qualities, and the third his intelligence, cunning, and coldness.

— Francis Ford Coppola

Francis Ford Coppola Quotes

They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I’d be sure to have some dough to support my family.

— Francis Ford Coppola

I used to love going into local hardware stores, to look at little things they made locally. Nowadays it’s harder, though you can still do it in Vietnam.

— Francis Ford Coppola

I think it’s better to be overly ambitious and fail than to be underambitious and succeed in a mundane way. I have been very fortunate. I failed upward in my life!

— Francis Ford Coppola

I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it’s all a dream come true.

— Francis Ford Coppola

Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.

— Francis Ford Coppola

The internet in hotels should be free – and I really resent it when they charge you five dollars for a bottle of water beside your bed.

— Francis Ford Coppola

It’s ironic that at age 32, at probably the greatest moment of my career, with The Godfather having such an enormous success, I wasn’t even aware of it, because I was somewhere else under the deadline again.

— Francis Ford Coppola

I don’t go on set with an army of people because the most expensive elements of a movie production are the plane tickets, the hotel rooms, food and gasoline. If you’re willing to discover new colleagues in the place that you are, you can save a ton of money.

— Francis Ford Coppola

I had a heartbreaking experience when I was 9. I always wanted to be a guard. The most wonderful girl in the world was a guard. When I got polio and then went back to school, they made me a guard. A teacher took away my guard button.

— Francis Ford Coppola

The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work.

— Francis Ford Coppola

All of a sudden, there are great Japanese films, or great Italian films, or great Australian films. It’s usually because there are a number of people that cross-pollinated each other.

— Francis Ford Coppola

Being a former theater student, of course, there is a part of me that is fascinated with stage crafts and what you can do with illusions and working within the confines of the studio.

— Francis Ford Coppola

I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.

— Francis Ford Coppola

I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I’m too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things – it’s my Italian heritage.

— Francis Ford Coppola

I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn’t speak any Russian. He didn’t care whether I could understand what they were saying; he wanted me to make up dialogue.

— Francis Ford Coppola

When a movie is about to come out on its initial debut, there are a lot of people involved – the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.

— Francis Ford Coppola

The secret of life is to say yes all the time, because when you’re old, you don’t want to say, ‘I wish I’d done this, I wish I had done that.

— Francis Ford Coppola

Upon that second reading, much of the book fell away in my mind, revealing a story that was a metaphor for American capitalism in the tale of a great king with three sons: the oldest was given his passion and aggressiveness, the second his sweet nature and childlike qualities, and the third his intelligence, cunning, and coldness.

— Francis Ford Coppola

The notebook was my anchor through all of it.

— Francis Ford Coppola

I loved it; I was living a dream.

— Francis Ford Coppola
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